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Vore is most often enjoyed through pictures, stories, videos, and video games, and it can appear in mainstream media. [5] Expressions can involve humans, animals, dragons, giant snakes, and other creatures, real or fictional. [1] [6] In some cases, vorarephilia may be described as a variation of macrophilia and may combine with other ...
Donna Simpson (born 1967) is a woman who in 2008 expressed a "desire" to become one of the world's heaviest women, in competition with Susanne Eman. She wished to attain a target weight of 800 pounds (360 kg).
According to reports of Northern Paiute oral history, the Si-Te-Cah, Saiduka or Sai'i [1] (sometimes erroneously referred to as Say-do-carah or Saiekare [2] after a term said to be used by the Si-Te-Cah to refer to another group) were a legendary tribe who the Northern Paiutes fought a war with and eventually wiped out or drove away from the area, with the final battle having taken place at ...
Poster of Attack of the 50 Foot Woman, depicting a giantess attacking comparatively tiny people. Macrophilia is a fascination with or a sexual fantasy involving giants, most commonly expressed as giant humans, as well as giant objects. [1] [2] In 2023, the Giantess kink was found to be the most popular kink searched for on the website ...
Fairy tales such as Jack the Giant Killer have formed the modern perception of giants as dimwitted and violent ogres, sometimes said to eat humans, while other giants tend to eat livestock. In more recent portrayals, like those of Jonathan Swift and Roald Dahl , some giants are both intelligent and friendly.
The Swedish death metal band Bloodbath wrote the song "Eaten", which voices Brandes' desire to be eaten alive, all while witnessing the act. The American death metal band Macabre wrote a song about Meiwes called "The Wüstenfeld Man-Eater". The heavy metal singer Ozzy Osbourne released his 12th studio album, Ordinary Man, in February 2020. The ...
The giantess theme has also appeared in motion pictures, often as a metaphor for female empowerment or played for absurd humor. The 1958 B-movie Attack of the 50 Foot Woman formed part of a series of size-changing films of the era which also included The Incredible Shrinking Man, The 30 Foot Bride of Candy Rock, and Village of the Giants.
Saturn Devouring His Son is a painting by Spanish artist Francisco Goya.It is traditionally considered a depiction of the Greek myth of the Titan Cronus, whom the Romans called Saturn, eating one of his children out of fear of a prophecy by Gaea that one of his children would overthrow him.