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The New York Times crossword is a daily American-style crossword puzzle published in The New York Times, syndicated to more than 300 other newspapers and journals, and released online on the newspaper's website and mobile apps as part of The New York Times Games. [1][2][3][4][5] The puzzle is created by various freelance constructors and has ...
Fictitious or fake entries are deliberately incorrect entries in reference works such as dictionaries, encyclopedias, maps, and directories, added by the editors as copyright traps to reveal subsequent plagiarism or copyright infringement. There are more specific terms for particular kinds of fictitious entry, such as Mountweazel, trap street ...
Crossword-like puzzles, for example Double Diamond Puzzles, appeared in the magazine St. Nicholas, published since 1873. [33] Another crossword puzzle appeared on September 14, 1890, in the Italian magazine Il Secolo Illustrato della Domenica. It was designed by Giuseppe Airoldi and titled "Per passare il tempo" ("To pass the time"). Airoldi's ...
Henry Hook (September 18, 1955 – October 27, 2015) was an American creator of crossword puzzles, widely credited with popularizing the cryptic crossword in North America. With Henry Rathvon and Emily Cox, he wrote the crossword for the Boston Globe. Hook began constructing crosswords at age 14, when he sent a rebuttal crossword to Eugene T ...
Margaret Petherbridge Farrar (March 23, 1897 – June 11, 1984) was an American journalist and the first crossword puzzle editor for The New York Times (1942–1968). Creator of many of the rules of modern crossword design, she compiled and edited a long-running series of crossword puzzle books – including the first book of any kind that Simon & Schuster published (1924). [1]
Letterpress printing (via printing press) Gelatin methods (also indirect method) Hectograph. Collography, autocopyist. Chromograph, Copygraph, Polygraph. Flexography. Spirit duplicator (also Rexograph, Ditto machine, Banda machine, or Roneo) Lithographic processes. Transfer lithography.
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Paul Rogers and Keith Baxter in a production of Anthony Shaffer's Sleuth, a key influence for "The Riddle of the Sphinx". Pemberton had long been a fan of cryptic crosswords, and he was inspired to develop the episode by reading Two Girls, One on Each Knee: The Puzzling, Playful World of the Crossword, a non-fiction book by Alan Connor.
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