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Indigenous American visual arts include portable arts, such as painting, basketry, textiles, or photography, as well as monumental works, such as architecture, land art, public sculpture, or murals. Some Indigenous art forms coincide with Western art forms; however, some, such as porcupine quillwork or birchbark biting are unique to the Americas.
Chancay culture tapestry featuring deer, 1000-1450 CE, Lombards Museum Nivaclé textile pouch, collection of the AMNH. The textile arts of the Indigenous peoples of the Americas are decorative, utilitarian, ceremonial, or conceptual artworks made from plant, animal, or synthetic fibers by Indigenous peoples of the Americas.
Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
Like the Mississippian peoples of North America such as the Choctaw and Natchez, the Maya organized themselves into large, agricultural communities. They practised their own forms of hieroglyphic writing and even advanced astronomy. Mayan art consequently focuses on rain, agriculture, and fertility, expressing these images mainly in relief and ...
The painting shows Christ as a Mescalero holy man, standing on the sacred Sierra Blanca, greeting the sun. A sun symbol is painted on his left palm; he holds a deer hoof rattle in his right hand.
Additions to the list need to reference a recognized, documented source and specifically name tribal affiliation according to federal and state lists. Indigenous American artists outside the United States can be found at List of indigenous artists of the Americas.
This list includes notable visual artists who are Inuit, Alaskan Natives, Siberian Yup'ik, American Indians, First Nations, Métis, Mestizos, and Indigenous peoples of Mexico, the Caribbean, Central America, and South America. Indigenous identity is a complex and contested issue and differs from country to country in the Americas.
The act of painting a human face to resemble a skull, sometimes known as facepainting, "sugar skull" make-up, Catrina, or Calaca face paint, is not a traditional practice during Day of the Dead (except for Catrina impersonators). However, it has become popular in recent years, particularly in urban centers.
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