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The bass singing voice has a vocal range that lies around the second E below middle C to the E above middle C (i.e., E 2 –E 4). [1] As with the contralto singing voice being the rarest female voice type, the bass voice is the rarest for males, and has the lowest vocal range of all voice types. [2]
Basso profondo (Italian: [ˈbasso proˈfondo], "deep bass"), sometimes basso profundo or contrabass, is the lowest bass voice type.. While The New Grove Dictionary of Opera defines a typical bass as having a range that extends downward to the second E below middle C (E 2), [1] operatic bassi profondi can be called on to sing low C (C 2), as in the role of Baron Ochs in Der Rosenkavalier.
Kurt Moll (11 April 1938 – 5 March 2017) [1] was a German operatic bass singer who enjoyed a widely renowned international career. [2]His voice was notable for its range, a true basso profondo, including full, resonant low and very-low notes with relaxed vibrato; also for its unusual combination of extreme volume-capacity and a purring, contrabassoon-like timbre.
Co-lead vocalist, usually plays the guitar live while singing while guitarist Farin Urlaub plays the bass Ken Casey: Dropkick Murphys: Co-lead vocalist Björn Both: Santiano: Co-lead vocalist, but basically the most lead one from the 5 Evgeny Fedorov: Tequilajazzz: Jean Millington: Fanny: Co-lead vocalist Shafin Ahmed: Miles: Lead vocalist Dave ...
The low extreme for basses is generally C 2 (two Cs below middle C). Some extreme bass singers, referred to as basso profondos and oktavists, are able to reach much lower than this. Within opera, the lowest note in the standard bass repertoire is D 2, sung by the character Osmin in Mozart's Die Entführung aus dem Serail, but few roles fall ...
1965: Bass, Bass, Bass (re-issued in 1975 as the Stamps Quartet Present Their Dynamic Bass) 1968: The Many Moods of the Illustrious J. D. Sumner; 1969: The Heart of a Man (re-issued in 1982 as The Masters V Present Their Majestic Bass, J. D. Sumner) 1972: The Way It Sounds Down Low; 1984: Thank God for Kids; 1985: An American Trilogy
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Within choral music, when true basses are not available, choirs often rely on singers who can "fry" the low bass notes. [citation needed] Singers such as Tim Storms, [21] Mike Holcomb and various other gospel basses use this technique to sing very low tones. [citation needed] Some styles of folk singing showcase the vocal fry register in the ...