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In literature an author sets the tone through word choice that create imagery, perspective, tone, subject matter, and more. [14] The possible tones are bounded only by the number of possible emotions a human being can have. Diction and syntax often dictate what the author's (or character's) attitude toward his subject is at the time. An example ...
Margaret Petherbridge Farrar (March 23, 1897 – June 11, 1984) was an American journalist and the first crossword puzzle editor for The New York Times (1942–1968). Creator of many of the rules of modern crossword design, she compiled and edited a long-running series of crossword puzzle books – including the first book of any kind that Simon & Schuster published (1924). [1]
Marcus L. Rowland reviewed both Flight from the Dark and Fire on the Water together for White Dwarf #60, giving it an overall rating of 7 out of 10, and stated that "Both books are fair, emphasizing combat rather than traps and tricks. Those traps which are used can be anticipated, and usually by-passed or defused by use of Lone Wolf's skills."
An American-style 15×15 crossword grid layout. A crossword (or crossword puzzle) is a word game consisting of a grid of black and white squares, into which solvers enter words or phrases ("entries") crossing each other horizontally ("across") and vertically ("down") according to a set of clues. Each white square is typically filled with one ...
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Jean de La Fontaine (UK: / ˌ l æ f ɒ n ˈ t ɛ n,-ˈ t eɪ n /, [1] US: / ˌ l ɑː f ɒ n ˈ t eɪ n, l ə-, ˌ l ɑː f oʊ n ˈ t ɛ n /; [2] [3] French: [ʒɑ̃ d(ə) la fɔ̃tɛn]; 8 July 1621 – 13 April 1695) was a French fabulist and one of the most widely read French poets of the 17th century.
The reflexive structure of the novel, in which neither Kinbote nor Shade can really have the last word, together with apparent allusions to Kinbote's story in the poem, allow critics to argue various theories of authorship for Pale Fire as a whole, including the theory that Shade invented Kinbote and wrote the commentary himself, and the contrasting theory that Kinbote invented Shade.
Prometheus: The Poem of Fire, Op. 60 (1910), is a tone poem by the Russian composer Alexander Scriabin for piano, orchestra, optional choir, and clavier à lumières or "Chromola" (a color organ invented by Preston Millar, in fact rarely featured in performances of the piece, including those during Scriabin's lifetime).