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Hacksaw Ridge (Original Motion Picture Soundtrack) is the score album to the 2016 biographical war film Hacksaw Ridge directed by Mel Gibson.The film is scored by Rupert Gregson-Williams, who replaced John Debney, the original composer who had attached to write music for the film.
The music is composed and arranged by Rupert Gregson-Williams. It was released on June 2, 2017, by WaterTower Music. Rupert Gregson-Williams was hired to compose the film's music in November 2016. [1] [2] He is joined by Evan Jolly, Tom Howe, [3] Paul Mounsey, [4] and Andrew Kawczynski [5] who provide additional music.
The music is composed and arranged by Rupert Gregson-Williams. It was released on December 14, 2018, by WaterTower Music . [ 1 ] [ 2 ] A deluxe edition containing 11 bonus tracks was released on July 19, 2019.
Rupert Gregson-Williams revealed in August 2021 that he was returning from Aquaman (2018) to compose the score for the sequel, Aquaman and the Lost Kingdom, after also doing so for the DC Extended Universe (DCEU) film Wonder Woman (2017). [1] The song "Deep End" was performed by X Ambassadors and released as a single on November 17, 2023. [2]
Rupert Gregson-Williams is a British composer, conductor, and record producer, best known for his film, video game, and television scores.His filmography includes Hotel Rwanda, for which he was awarded the European Film composer award, Hacksaw Ridge, Wonder Woman, Aquaman and its sequel, Over the Hedge, Bee Movie, Abominable, Back to the Outback, Made of Honor, The Holiday, The Legend of ...
Music critic Jonathan Broxton gave a mixed review for the soundtrack, saying "There’s nothing greatly wrong with The Legend of Tarzan in the bigger scheme of things; it’s functional, inoffensive, culturally respectful, and goes out of its way to mirror the current board-approved action music sound, which won’t upset any of the film’s key target demographics. "[6]
Wonder Woman 1984 director Patty Jenkins has shed some light on why the original film’s composer, Rupert Gregson-Williams, was replaced by Hans Zimmer for the sequel.
The album received mixed reviews from critics. James Christopher Monger of AllMusic wrote "The score, which fuses the patriotic action cues of Alan Silvestri with the dusty guitar- and horn-laden patina of Ennio Morricone, owes a lot to Greg Edmonson's genre-bending work on Joss Whedon's Firefly series, but Gregson-Williams strikes a nice enough balance between whimsical and melodramatic ...
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