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Robert J. Dufford, S.J. (born 1943) is a Jesuit priest, a member of the St. Louis Jesuits musical group and a composer of Catholic liturgical music. One of his songs is "Be Not Afraid." His work is included in such hymnals as Glory and Praise [1] and Gather. [2]
After the groundswell of interest in their music and liturgies, this first collection of 58 songs, some dating back as early as 1964, was called Neither Silver nor Gold and included music by Bob Dufford, S.J., John Foley, S.J., Tim Manion, and Dan Schutte. The original purpose of the recording was only to leave behind their music for others to ...
Since Lady Gaga's "Bad Romance" in 2009, every video that has reached the top of the "most-viewed YouTube videos" list has been a music video. In November 2005, a Nike advertisement featuring Brazilian football player Ronaldinho became the first video to reach 1,000,000 views. [1] The billion-view mark was first passed by Gangnam Style in ...
Well, some parents are proving the '80s aren't that far away — through dance. The decade's music and signature dance moves are being celebrated in a new TikTok trend, which has kids ask their ...
90-year-old shows off incredible dance moves. Updated May 9, 2019 at 3:31 PM. ... She eventually married Frank in 1963 and was inducted into California Swing Dance Hall of Fame in 1996.
As a Jesuit seminarian, he was one of the founding members of the St. Louis Jesuits, composers who popularized a contemporary style of church music set to sacred texts sung in English due to the liturgical reforms initiated by the Second Vatican Council. Other members of the St. Louis Jesuits are Bob Dufford, Roc O'Connor, John Foley, and Tim ...
Music video "Hillbilly Rock Hillbilly Roll" on YouTube " Hillbilly Rock Hillbilly Roll " is a song by English country rock trio the Woolpackers , written by Eddie Phillips and Bob Garner of the Creation and produced by Nigel Wright .
AllMusic editor Jose F. Promis gave the song three out of five stars, noting that there are two remixed radio edits of "Love Can Move Mountains", "one bouncy and the other sleek, and two housey club versions, similar to most dance music from the early '90s in that it seemed to possess a since-lost elegance and a since-lost innocence". [3]