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Federal-style architecture is the name for the classical architecture built in the United States following the American Revolution between c. 1780 and 1830, and particularly from 1785 to 1815, which was influenced heavily by the works of Andrea Palladio with several innovations on Palladian architecture by Thomas Jefferson and his contemporaries.
Renwick's gallery was one of the first major public buildings in the style, and its favorable reception furthered interest in Second Empire design. [13] These early buildings display a close affinity to the high-style designs found in the new Louvre construction, with quoins, stone detailing, carved elements and sculpture, a strong division ...
The building is representative of the Classical Revival style of architecture, and because it is a continuing symbol of the Federal presence in Birmingham. With its sleekness and lack of ornate embellishment, the Birmingham Federal Building was a precursor to the more conservative Classicism exhibited in the Federal Buildings of the 1930s.
By Steele Marcoux Federal home design style comes with another confusing name. In design, the word "federal" simply indicates the time period (1780–1820) when the style, known among architecture ...
Federal architecture is defined by plain surfaces and facades with a limited use of pilasters. Some federal-style building combine the simple brick-based Georgian architecture with elements of classical design, such as columns and pediments. Most, however, lack these classically inspired elements and are simpler in design.
Federal modernism is an architectural style which emerged in the twentieth century encompassing various styles of modern architecture used in the design of federal buildings in the United States. [1] Federal buildings in this style shunned ornamentation, focusing instead on functional efficiency and low costs. [ 1 ]
Although one subtle element of ornamentation that was used on the front door. The owner would take nails, think of an object or pattern to make with them, and nail that decoration onto the door. The more nails one had, the more extravagant and elaborate the pattern could become. [16] The most prized architectural aspect of the house was the ...
The McIntire Chair [5] is a vase-back chair, originally part of a large set, was made for Elias Hasket Derby. The chair's overall design is based on plate 2 of George Hepplewhite's Cabinet-Maker and Upholsterer's Guide (London, 1788), but enriched considerably by the addition of relief carving to parts of the back and the front legs.