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The terminology included may relate to prehistoric art of the Jomon and Yayoi periods, Japanese Buddhist art, nihonga techniques using sumi and other pigments and dyes, various artisan crafts such as lacquerware techniques, katana and swordmaking, temple, shrine, and castle architecture, carpentry terms, words relating to kimono making industry ...
The first shigajiku, Newly Risen Moon over a Brushwood Gate, follows “the classic formulation of the relation between poetry and painting developed by Su Shih and his circle, which we have seen also was a crucial factor in the rise of the earliest Japanese poem-and-painting scrolls around.” [26] Poem-and-painting scrolls were intended, from ...
Blah! Blah! painting was completed in 2008. [4] The series was created in different mediums [5] and subsequent print runs have been issued later than the time span the painting series was executed in (Blah! Blah! Blah!). Among the museums who have a work(s) from the series in their permanent collections is the Art Institute of Chicago. [6]
The aesthetic language and conventions of these media have increasingly come to represent the totality of Japanese art and culture abroad as well; the aesthetic of kawaii, for example, originally was derived from traditional concepts within Japanese art dating back to the 15th century, [75] but was explored within popular manga and anime series ...
The Japanese terms for vertical (portrait) and horizontal (landscape) formats for images are tate-e (縦絵) and yoko-e (横絵), respectively. Below is a table of common Tokugawa-period print sizes. Sizes varied depending on the period, and those given are approximate they are based on the pre-printing paper sizes, and paper was often trimmed ...
In Japanese art, mitate-e (見立絵) is a subgenre of ukiyo-e that employs allusions, puns, and incongruities, often to parody classical art or events. The term derives from two roots: mitateru (見立る, "to liken one thing to another") [a] and e (絵, "picture").
[1]: 25 Japanese images of the nine stages, called kusōzu, date from the 13th century. [2]: 277 There are a large number of kusōzu still being used in religion in Japan, [2]: 279 and Japanese artists such as Fuyuko Matsui have continued the theme of the nine stages into the 21st century. [10]: 15
In modern interpretations of traditional Japanese arts and culture, ma is an artistic interpretation of an empty space, often holding as much importance as the rest of an artwork and focusing the viewer on the intention of negative space in an art piece. The concept of space as a positive entity is opposed to the absence of such a principle in ...