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The inmates are running the asylum is: A reference to 1989 cult film Dr. Caligari. A reference to the 1920 film The Cabinet of Dr. Caligari. A reference to the 2014 film Stonehearst Asylum. A book by software designer and programmer Alan Cooper (software designer), "the father of Visual Basic".
Alan Cooper (born June 3, 1952) is an American software designer and programmer.Widely recognized as the "Father of Visual Basic", [1] Cooper is also known for his books About Face: The Essentials of Interaction Design and The Inmates Are Running the Asylum: Why High-Tech Products Drive Us Crazy and How to Restore the Sanity.
Arriving in town with two pigeons in a cage, Plumpick must evade German soldiers. Slipping into the asylum, he puts on pajamas and mixes with inmates who introduce themselves as The Duke of Clubs and Monsignor Daisy. When Plumpick introduces himself as “the King of Hearts,” the inmates accept him with deference and the Germans overlook him.
The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade, usually shortened to Marat/Sade (pronounced), is a 1967 British film adaptation of Peter Weiss' play Marat/Sade.
Two months later, she was in a mental asylum. A new biography, “Where Madness Lies: The Double Life of Vivien Leigh,” by Lyndsy Spence (Pegasus Books, out Tuesday) chronicles Leigh’s ...
McNair reportedly said the NFL "can't have the inmates running the prison" during a meeting about the national anthem protests.
The report called on the government to shut down the center and to give asylum seekers the same legal rights as migrants detained in the interior United States.
The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade (German: Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade), usually shortened to Marat/Sade (pronounced), is a 1963 play by Peter Weiss.