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Finagle's law of dynamic negatives (also known as Melody's law, Sod's Law or Finagle's corollary to Murphy's law) is usually rendered as "Anything that can go wrong, will—at the worst possible moment." The term "Finagle's law" was first used by John W. Campbell Jr., the influential editor of Astounding Science Fiction (later Analog).
Hanlon's razor is a corollary of Finagle's law, named in allusion to Occam's razor, normally taking the form "Never attribute to malice that which can be adequately explained by stupidity." As with Finagle, possibly not strictly eponymous.
Sod's law, a British culture axiom, states that "if something can go wrong, it will". The law sometimes has a corollary: that the misfortune will happen at "the worst possible time" (Finagle's law). The term is commonly used in the United Kingdom (while in many parts of North America the phrase "Murphy's law" is more popular). [1]
The adage was a submission credited in print to Ronald M. Hanlon of Bronx, New York , in a compilation of various jokes related to Murphy's law published in Arthur Bloch's Murphy's Law Book Two: More Reasons Why Things Go Wrong! (1980). [1] A similar quotation appears in Robert A. Heinlein's novella Logic of Empire (1941). [2]
Murphy's law [a] is an adage or epigram that is typically stated as: "Anything that can go wrong will go wrong.".. Though similar statements and concepts have been made over the course of history, the law itself was coined by, and named after, American aerospace engineer Edward A. Murphy Jr.; its exact origins are debated, but it is generally agreed it originated from Murphy and his team ...
The original negative and film elements of Robin Hardy's 99-minute director's cut of The Wicker Man are lost and only survive on tape recordings. In 2013, StudioCanal launched a Facebook campaign to find missing material from the film, which resulted in the discovery of a 92-minute 35mm print at the Harvard Film Archive that saw a theatrical ...
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Later, Siegel has to escort another war correspondent, the shapely and blonde Deborah Aldrich, when she finagles her way aboard a heavy cruiser on its way to a combat operation, much to Admiral Junius Boatwright's disapproval. With the end of the war, Siegel realizes that he cannot live without Melora, and decides to remain on the island.
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