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Huitzilopochtli (Classical Nahuatl: Huītzilōpōchtli, IPA: [wiːt͡siloːˈpoːt͡ʃt͡ɬi] ⓘ) is the solar and war deity of sacrifice in Aztec religion. [3] He was also the patron god of the Aztecs and their capital city, Tenochtitlan .
The Nahui Ollin is composed of traditional Aztec ideologies, including the concepts of Tezcatlipoca, Quetzalcoatl, Huitzilopochtli, and Xipe Totec. The Nahui Ollin is used as a culturally responsive method of teaching and ultimately supporting the development of harmony and balance of the mind, body, spirit, and community. [9]
Xiuhcoatl was a common subject of Aztec art, including illustrations in Aztec codices, and was used as a back ornament on representations of both Xiuhtecuhtli and Huitzilopochtli. [1] Xiuhcoatl is interpreted as the embodiment of the dry season and was the weapon of the sun. [ 2 ]
Huītzilōpōchtli, god of war, human sacrifice, bloodletting, and the lord of the South. (Blue Tezcatlipoca) [10] Payīnal or Pāinaltōn, god of battles and Huitzilopochtli's messenger. Tlācahuēhpān, Toltec equivalent of Huītzilōpōchtli. Tepēyōllōtl, god of the animals, darkened caves, echoes, and earthquakes. Tepeyollotl is a ...
The Mexica/Aztec were said to be guided by their patron war-god Huitzilopochtli, meaning "Left-handed Hummingbird" or "Hummingbird from the South." At an island in Lake Texcoco, they saw an eagle, perched on a nopal cactus, holding a rattlesnake in its talons. This vision fulfilled a prophecy telling them that they should found their new home ...
In Aztec mythology, the Centzonhuītznāhua (Nahuatl pronunciation: [sent͡sonwiːtsˈnaːwa] or, the plural, Centzon Huītznāuhtin, [sent͡sonwiːtsˈnaːwtin]) were the gods of the southern stars. These "four hundred" (i.e. innumerable) brothers appear in some versions of the origin story of Huītzilōpōchtli , the god of the sun and war.
The term "The Lamb of God" holds religious significance in Christianity, and primarily refers to Jesus Christ, carrying a range of symbolic meanings like purity, innocence and gentleness. Tattoo ...
Represented as a fierce and warlike god, he is first seen in Early Postclassic art of the Pre-Columbian civilization known as the Toltec. [3] Tonatiuh's symbolic association with the eagle alludes to the Aztec belief of his journey as the present sun, travelling across the sky each day, [ 4 ] where he descended in the west and ascended in the east.