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"Is Anybody Goin' to San Antone" is a song written by Glenn Martin and Dave Kirby, and recorded by American country music artist Charley Pride. It was released in February 1970 as the first single from the album Charley Pride's 10th Album. The song was Pride's third number one in a row on the country charts.
A-ha (often stylised as a-ha; Norwegian pronunciation:) is a Norwegian synth-pop band formed in Oslo in 1982. Founded by Paul Waaktaar-Savoy (guitars and vocals), Magne Furuholmen (keyboards, guitars and vocals), and Morten Harket (lead vocals), the band rose to fame during the mid-1980s.
Charley Pride's 10th Album is the eighth studio album by the American country music artist Charley Pride.It was released in 1970 on the RCA Victor label (catalog no. LSP-4367).
His lyrics are about crying, going away and yearning, and even the happier songs seem riddled with resignation rather than out-and-out pop joy". Lead single " Stay on These Roads ", number one in Norway, was a hit across Europe, including top-five showings in the UK, France, Austria and Ireland and top-ten chartings in Germany, the Netherlands ...
vocals McCulloch sang on two songs, "The Killing Moon" (by his band, Echo & the Bunnymen) and "Scoundrel Days", with the band at both MTV Unplugged concerts at Øygardshallen (Giske Harbour Hall) on the island of Giske in 2017, [31] [32] as well as at the O2 Arena, London in February 2018 on the same songs.
James Robert Wills (March 6, 1905 – May 13, 1975) was an American Western swing musician, songwriter, and bandleader. Considered by music authorities as the founder of Western swing, [1] [2] [3] he was known widely as the King of Western Swing (although Spade Cooley self-promoted the moniker "King of Western Swing" from 1942 to 1969).
The lyrics for this song were based on the existentialist authors and poets Gunvor Hofmo, Knut Hamsun and Fyodor Dostoevsky – Pål's favourites at the time. It was a-ha's third consecutive top-10 single in the UK, reaching number eight.
The Austin American-Statesman wrote: "While there's too much soulful artistry involved to be properly showcased within the space of a single album, Zone of Our Own underscores the crucial connections between the Sir Douglas Quintet-style rock of Doug Sahm, the border (and border-transcending) musics of Freddy Fender and Flaco Jimenez and the Tejano-flavored country of Augie Meyers."