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Karl Haendel, (born 1976, New York City) is an American artist who lives and works in Los Angeles, California. Haendel is represented by Vielmetter Los Angeles , Mitchell-Innes & Nash, New York and Wentrup Gallery, Berlin.
My Wife's Lovers is a canvas painting by Austrian artist Carl Kahler (1856–1906) depicting forty-two of American millionaire Kate Birdsall Johnson's Turkish Angora and Persian cats. [ 1 ] [ 2 ] The title of the painting was potentially conceived by her husband, [ 3 ] who may have referred to the cats with the phrase. [ 4 ]
Robert Hale Ives Gammell (1893 – 1981) was an American artist best known for his sequence of paintings based on Francis Thompson's poem "The Hound of Heaven". Gammell painted symbolic images that reflected his study of literature, mythology, psychology, and religion.
Karl Becker (1820–1900) Benedikt Beckenkamp (1747–1828) René Beeh (1886−1922) Josef Konstantin Beer (1862–1933) Adalbert Begas (1836–1888) Carl Joseph Begas (1794–1854) Luise Begas-Parmentier (1843–1920) Oskar Begas (1828–1883) Akbar Behkalam (1944–2025) Franz Joachim Beich (1666–1748) Johannes Beilharz (born 1956) Gisela ...
The Metropolitan Museum of Art: New York City, NY Portrait of a man facing forward: 1650–1652: 65 x 56.5 cm: Private collection: unknown Portrait of a man with long hair and a mustache: 1650–1652: 84.7 x 67 cm: 816: Hermitage Museum: St. Petersburg (Russia) Portrait of Willem van Heythuysen (copy 20 years later by the artist) 1653: 46.5 x ...
Robert Beverly Hale (1901–November 14, 1985) was an artist, curator of American paintings at the Metropolitan Museum of Art, and instructor of artistic anatomy at the Art Students League of New York and the Pennsylvania Academy of Fine Art.
Record group: Collection H: Harmon Foundation Collection, 1922 - 1967 (National Archives Identifier: 862)Series: The Harmon Foundation Collection: Kenneth Space Photographs of the Activities of Southern Black Americans, compiled 1936 - 1937 (National Archives Identifier: 559211)
In 1978, while Karl was included in an exhibition of Mississippi art, she was not. After Karl's death in 1984, the art community of Mississippi began appreciating Mildred for her own art, not for being Karl's wife. The Mississippi Museum of Art mounted exhibitions of her work in 1994 and 2006. [3]