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Teufelsdröckh in Monmouth Street, illustration to Sartor Resartus by Thomas Carlyle.. Edmund Joseph Sullivan (1869–1933), usually known as E. J. Sullivan, was a British book illustrator who worked in a style which merged the British tradition of illustration from the 1860s with aspects of Art Nouveau.
The popularity of Dickens's writings was enhanced by the regular inclusion of detailed illustrations to highlight key scenes and characters. Each sketch typically featured two black-and-white illustrations, as well as an illustration for the wrapper. The images were created with wood engravings or metal etchings.
This list, of art makers who are considered Outsider artists, includes self-taught, visionary art and naïve art makers known for the creation of artworks that are primarily visual in nature such as drawings, paintings, sculptures, and visionary environments. The entries are in alphabetical order by surname.
The drawing is related to the painting W27 : Study of the legs of a seated woman: c. 1628: Chalk: 22.6 x 17.6 cm: Rijksmuseum Amsterdam: The drawing is related to the painting W37 : The Raising of the Cross: 1628-1629: Black chalk, heightened with white, framing lines in pencil and with the pen and brown ink: 19.3 x 14.8 cm: Museum Boijmans Van ...
The Black-and-White Knight, by Linley Sambourne, Punch, 24 June 1893, a tribute to Tenniel. An ultimate tribute came to an elderly Tenniel as he was knighted for public service in 1893 by Queen Victoria. It was the first such honour ever bestowed on an illustrator or cartoonist.
Interest in the art of the mentally ill, along with that of children and the makers of "peasant art", developed from the end of the 19th century onward, both by psychiatrists such as Cesare Lombroso, Auguste Marie or Marcel Réjà, and by artists, such as members of "Der Blaue Reiter" group: Wassily Kandinsky, August Macke, Franz Marc, Alexej von Jawlensky, and others.
Aubrey Vincent Beardsley (/ ˈ b ɪər d z l i / BEERDZ-lee; 21 August 1872 – 16 March 1898) was an English illustrator and author. His black ink drawings were influenced by Japanese woodcuts, and depicted the grotesque, the decadent, and the erotic.
During White's time at Roanoke Island, he completed numerous watercolor drawings of the surrounding landscape and native peoples. These works are significant as they are the most informative illustrations of a Native American society of the Eastern Seaboard , and predate the first body of "discovery voyage art" created in the late 18th century ...