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In 17th-century Japan, Matsuo BashÅ originated haibun, a form of prose poetry combining haiku with prose. It is best exemplified by his book Oku no Hosomichi, [4] in which he used a literary genre of prose-and-poetry composition of multidimensional writing. [5] In the West, prose poetry originated in early-19th-century France and Germany as a ...
Spoken word is a "catchall" term that includes any kind of poetry recited aloud, including poetry readings, poetry slams, jazz poetry, pianologues, musical readings, and hip hop music, and can include comedy routines and prose monologues. [1]
Jack Kerouac had released the albums Poetry for the Beat Generation and Blues and Haikus in 1959, following the publication of his book The Dharma Bums. Both records featured Kerouac reading his work with jazz-based accompaniment. For Readings by Jack Kerouac on the Beat Generation, however, Kerouac decided to record a wholly spoken word album. [1]
The telling of urban legends may be considered an example of oral literature, as can jokes and also oral poetry including slam poetry which has been a televised feature on Russell Simmons' Def Poetry; performance poetry is a genre of poetry that consciously shuns the written form. [4]
A traditional Kyrgyz manaschi performing part of the Epic of Manas at a yurt camp in Karakol. Oral tradition, or oral lore, is a form of human communication in which knowledge, art, ideas and culture are received, preserved, and transmitted orally from one generation to another.
Latin was a major influence on the development of prose in many European countries.Especially important was the great Roman orator Cicero (106–43 BC). [3] It was the lingua franca among literate Europeans until quite recent times, and the great works of Descartes (1596–1650), Francis Bacon (1561–1626), and Baruch Spinoza (1632–1677) were published in Latin.
You don't have to understand or even like every poem you read.
This is the lasting viral component of Spoken Word and one of the most popular forms of poetry in the 21st century. It is a new oral poetry originating in the 1980s in Austin, Texas, using the speaking voice and other theatrical elements. Practitioners write for the speaking voice instead of writing poetry for the silent printed page.