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Writing lacquer box with Irises at Yatsuhashi, by Ogata Kōrin, Edo period (National Treasure) Inro in maki-e lacquer, Edo period, 18th century. Lacquerware (漆器, shikki) is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in urushi-e, prints, and on a wide variety of objects from Buddha statues to bento boxes for food.
The oldest lacquer tree found is from the Jōmon period in Japan, 12600 years ago. [1] [2] The oldest lacquerware in the world, burial ornaments which were created in 9th millennium B.C., were unearthed in early Jomon period tombs, at the Kakinoshima site in Hakodate, Hokkaido, Japan.
Georgian japanned tin tea tray—severely worn—black lacquer and gilt made in Birmingham, UK. Japanning is a type of finish that originated as a European imitation of East Asian lacquerwork. It was first used on furniture, but was later much used on small items in metal. The word originated in the 17th century.
As the lacquer tree is not native to Okinawa, the key material needed to produce lacquerware could only be obtained by the Ryukyuans through trade. Though the islands were involved with trade with Japan and the Asian mainland for many centuries, it is generally believed that the presence and production of lacquerware in Ryukyu only began to any significant extent in the late 14th or early 15th ...
Suzuri-bako (硯箱; "inkstone box") are a type of Japanese writing box. The boxes are traditionally made of lacquered wood and are used to hold writing implements. [ 1 ] Historically, the boxes were associated with calligraphy , and as such they were made using high-quality materials designed to safeguard porcelain inkstones ( suzuri ) from ...
Wajima-nuri (輪島塗) is a type of Japanese lacquerware from Wajima, Ishikawa. Wajima-nuri represents a form and style of lacquerware which is distinct from other Japanese lacquerware. The main distinguishing feature of Wajima-nuri is the durable undercoating achieved by the applying multiple layers of urushi mixed with powdered diatomaceous ...
Kamakura-bori is a technique invented by Kōun (康運) or Kōen (康円), who were busshi (sculptors of Buddhist statues), in order to mass-produce Buddhist altar fittings resembling carved lacquer in a short period of time. Kamakura-bori was widely used as a box, stand or plate for daily necessities, Buddhist altar fittings and tea utensils.
It imitated Chinese lacquer and European subjects, and was applied to a wide variety of items, from furniture to coaches. It is said to have been made by heating oil and copal and then adding Venetian turpentine. Oriental lacquer had speedily acquired high favour in France, and many attempts were made to imitate it.
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