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Iambic pentameter (/ aɪ ˌ æ m b ɪ k p ɛ n ˈ t æ m ɪ t ər / eye-AM-bik pen-TAM-it-ər) is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter , established by the words in each line.
Blank verse: non-rhyming iambic pentameter (10-syllable line). It is the predominant rhythm of traditional English dramatic and epic poetry, as it is considered the closest to English speech patterns. Examples: "Paradise Lost" by John Milton and “Sunday Morning” by Wallace Stevens.
Alexander the Great in a diving bell: a scene from the line's namesake, the Roman d'Alexandre.. Alexandrine is a name used for several distinct types of verse line with related metrical structures, most of which are ultimately derived from the classical French alexandrine.
Milton's most notable works, including Paradise Lost, are written in blank verse: unrhymed iambic pentameter. He was not the first to use blank verse, which had been a mainstay of English drama since the 1561 play Gorboduc.
John Milton's Paradise Lost, most sonnets, and much else besides in English are written in iambic pentameter. Lines of unrhymed iambic pentameter are commonly known as blank verse. [8] Blank verse in the English language is most famously represented in the plays of William Shakespeare and the great works of Milton, though Tennyson (Ulysses, The ...
In English poetry substitution, also known as inversion, is the use of an alien metric foot in a line of otherwise regular metrical pattern. [1] For instance in an iambic line of "da DUM", a trochaic substitution would introduce a foot of "DUM da".
Christopher Marlowe was the first English author to achieve critical fame for his use of blank verse. [4] The major achievements in English blank verse were made by William Shakespeare, who wrote much of the content of his plays in unrhymed iambic pentameter, and John Milton, whose Paradise Lost is written in blank verse.
Sonnet 144 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 4th line exemplifies a ...