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The Venus of Brassempouy, about 25,000 BP 11th-century Anglo-Saxon ivory cross reliquary of walrus ivory. Ivory carving is the carving of ivory, that is to say animal tooth or tusk, generally by using sharp cutting tools, either mechanically or manually. Objects carved in ivory are often called "ivories".
Ivory carving technique consists of two main steps: the turning and carving. [3] During the turning, ivory is cut using a saw and shaped using a turning lathe (pattalaya). A simple wood lathe is used. Then it is softened by using various plant saps. [3] Then carving is done. Tools like saw, drill, rasp, vice, and chisel are used in this step. [1]
Works of art created from ivory, a hard, white material from the tusks and teeth of animals of any species. See also Category:Bone carvings . Wikimedia Commons has media related to Ivory sculptures .
The ivories comprise plaques decorated in relief with intricate carvings of sphinxes, lions, serpents, people, flowers and geometric motifs, as well as carvings of female heads and female figurines. They were carved in various locations across the Ancient Near East, including Egypt, modern Syria and Lebanon, with relatively few carved locally ...
African ivory has been treasured since ancient times in part because of how it could be carved as well as how difficult it was to acquire. [3] These qualities additionally mean that ivory has always been a symbol of wealth and luxury that can was used to decorate the ivory coffers of Tutankhamen's Egypt, as well as the ivory throne made by King Solomon. [3]
An example of zoomorphic art, it was carved out of mammoth ivory using a flint stone knife. Seven parallel, transverse, carved gouges are on the left arm. After several reconstructions that have incorporated newly found fragments, the figurine stands 31.1 cm (12.2 in) tall, 5.6 cm (2.2 in) wide, and 5.9 cm (2.3 in) thick.
The Virgin and Child from the Sainte-Chapelle is an ivory sculpture probably created in the 1260s, currently in the possession of the Louvre Museum in Paris.The museum itself describes it as "unquestionably the most beautiful piece of ronde-bosse [in the round] ivory carving ever made", [1] and the finest individual work of art in the wave of ivory sculpture coming out of Paris in the 13th and ...
Such figurines were carved from soft stone (such as steatite, calcite or limestone), bone or ivory, or formed of clay and fired. The latter are among the oldest ceramics known to historians. In total, over 200 such figurines are known; [ 2 ] virtually all of modest size, between about 3 and 40 cm (1.2 and 15.7 in) in height. [ 3 ]