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It exists in almost every dance. Walks approximately correspond normal walking steps, taking into the account the basic technique of the dance in question. (For example, in Latin-dance walks the toe hits the floor first, rather than the heel.) In dance descriptions the term walk is usually applied when two or more steps are taken in the same ...
A jultagi performance at Korean Folk Village. There are more than 40 kinds of Jultagi techniques including a walking on a tight rope as the basic motion, a reversed walking on it, leaping with one foot on it, sitting and lying on it, and sometimes pretending to fall down.
walking bass. A bass part which moves steadily under a chord or chord progression with a scalar or arpeggiated pattern (typically based on quarter or eighth notes) moving up or down, or up and down repetitively so as to create a sense of "walking". It often employs passing tones leading to the next chord change.
This is a list of dance terms that are not names of dances or types of dances. See List of dances and List of dance style categories for those.. This glossary lists terms used in various types of ballroom partner dances, leaving out terms of highly evolved or specialized dance forms, such as ballet, tap dancing, and square dancing, which have their own elaborate terminology.
In ballroom dancing a "dance step" is defined as, or requires, the shifting of one's body weight from one foot to the other in time to the music. [4] "Dancing is stepping in time to the beats of the music. ... In addition to steps, there are also dance movements, such as toe touches, kicks, and hops."
This is a list of dance categories, different types, styles, or genres of dance. For older and more region-oriented vernacular dance styles, see List of ethnic, regional, and folk dances by origin .
McConaughey, who wore a striped shirt, wig and sunglasses, joined Fallon doing a hilarious dance and singing about his tight pants. "I can wiggle in the middle knowing I'm the only guy that's ...
In dance (particularly ballet), arabesque (French: [aʁabɛsk]; literally, "in Arabic fashion") is a body position in which a dancer stands on one leg (the supporting leg) with the other leg (the working leg) extended, straight, behind the body.