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[7] [9] The "man against nature" conflict is central to Ernest Hemingway's The Old Man and the Sea, where the protagonist contends against a marlin. [14] It is also common in adventure stories, including Robinson Crusoe. [1] The TV show Man vs. Wild takes its name from this conflict, featuring Bear Grylls and his attempts to survive nature.
The nature–culture divide is the notion of a dichotomy between humans and the environment. [1] It is a theoretical foundation of contemporary anthropology that considers whether nature and culture function separately from one another, or if they are in a continuous biotic relationship with each other.
Human-wildlife interactions have occurred throughout man's prehistory and recorded history. An early form of human-wildlife conflict is the depredation of the ancestors of prehistoric man by a number of predators of the Miocene such as saber-toothed cats, leopards, and spotted hyenas.
[89] The author Ralph H. Lutts wrote in his 1990 work The Nature Fakers: Wildlife, Science & Sentiment that the nature fakers controversy "was far more than a clash over the accuracy of animal stories or the question of whether animals can reason"; rather, the debate signified the changing sensibilities of writers and readers at the turn of the ...
The conflict between new attitudes to nature and the realities of society, with its growing cities and growing population, was not resolved. A mixture of compromise and concealment has so far prevented this conflict from having to be fully resolved. It is one of the contradictions upon which modern civilization may be said to rest.
Climate change—science fiction dealing with effects of anthropogenic climate change and global warming at the end of the Holocene era; Megacity; Pastoral science fiction—science fiction set in rural, bucolic, or agrarian worlds, either on Earth or on Earth-like planets, in which advanced technologies are downplayed. Seasteading and ocean ...
Ecofiction (also "eco-fiction" or "eco fiction") is the branch of literature that encompasses nature or environment-oriented works of fiction. [1] While this super genre's roots are seen in classic, pastoral, magical realism, animal metamorphoses, science fiction, and other genres, the term ecofiction did not become popular until the 1960s when various movements created the platform for an ...
American science fiction author and editor Lester del Rey wrote, "Even the devoted aficionado or fan—has a hard time trying to explain what science fiction is," and the lack of a "full satisfactory definition" is because "there are no easily delineated limits to science fiction." [3] Another definition comes from The Literature Book by DK and ...