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Julie and the Phantoms: Music from the Netflix Original Series is the soundtrack album of the American musical comedy-drama web television series Julie and the Phantoms. Both soundtrack and series were released on September 10, 2020. [ 2 ]
Julie and the Phantoms is an American musical comedy-drama television series created by Dan Cross and David Hoge that was released via streaming on Netflix on September 10, 2020. It is based on the Brazilian television series Julie e os Fantasmas . [ 1 ]
Julie e os Fantasmas (English title: Julie and the Phantoms) is a Brazilian musical comedy-drama television series produced by Rede Bandeirantes in partnership with Mixer and co-producer Nickelodeon Brazil. [1] [2] The show aired on Rede Bandeirantes from 17 October 2011 to 4 May 2012. [3]
Madison Reyes (born June 25, 2004) is an American actress and singer, who is known for playing the character Julie Molina in the Netflix musical series Julie and the Phantoms (2020), [1] [2] for which she won an MTV Award and received a nomination for a Daytime Emmy Award.
Stephen Sondheim circa 1970. Stephen Sondheim was an American composer and lyricist whose most acclaimed works include A Funny Thing Happened on the Way to the Forum (1962), Company (1970), Follies (1971), A Little Night Music (1973), Sweeney Todd: The Demon Barber of Fleet Street (1979), Sunday in the Park with George (1984), and Into the Woods (1987).
The song has been revived many times since 1928, although usually with only a limited portion of the original lyrics. [10] A punk rock version performed by Joan Jett and Paul Westerberg was used as the theme song in the 1995 movie Tank Girl, and later in a more classical version in a musical revue number within the film.
Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing.
Music for a Summer Evening was premiered by Gilbert Kalish and James Freeman (piano), Raymond DesRoches and Richard Fitz (percussion) at Swarthmore College, Pennsylvania, on 30 March 1974. John Keillor has written, “It is a work so successful and openhearted that Makrokosmos III is among the most frequently performed avant-garde chamber works ...
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