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"How You Get the Girl" is a song by the American singer-songwriter Taylor Swift from her fifth studio album, 1989 (2014). She wrote it with its producers Max Martin and Shellback. An electropop and bubblegum pop song, "How You Get the Girl" is a ballad that features acoustic guitar strums and a heavy disco beat. The lyrics find Swift telling a ...
Nominator(s): Medxvo 13:13, 5 December 2024 (UTC) [] This article is about a song from Taylor Swift's 2014 album 1989.It was used in a Diet Coke commercial that stars the second-richest cat in the world, Olivia Benson, and has been performed in Swift's world tours since 2015.
The following is an archived discussion of the DYK nomination of the article below. Please do not modify this page. Subsequent comments should be made on the appropriate discussion page (such as this nomination's talk page, the article's talk page or Wikipedia talk:Did you know), unless there is consensus to re-open the discussion at this page.
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Hi Medxvo and thank you for your nomination to FAC. A few pointers on the process and how to get the best from it: What to expect. As a first time nominator at FAC, the nominated article will need to pass a source-to-text integrity spot check and a review for over-close paraphrasing in addition to all of the usual requirements.
You can you use Apple Music as a source or reuse one of the critics source. dxneo 18:18, 29 September 2024 (UTC) Done. Medxvo 21:25, 29 September 2024 (UTC) It lasts for four minutes and seven seconds. ===> "How You Get the Girl" is 4 minutes and 7 seconds long. dxneo 18:18, 29 September 2024 (UTC)
Lolita is a 1955 novel written by Russian-American novelist Vladimir Nabokov that addresses the controversial subject of hebephilia.The protagonist is a French literature professor who moves to New England and writes under the pseudonym Humbert Humbert.
"The Dancing Girl" has been noted for sparking literary debate between Ōgai and writer and literary critic Ishibashi Ningetsu. Shortly after the publication of "The Dancing Girl", Ningestu published a critical evaluation of the story, notably critiquing what he saw as inconsistent characterization of the story's central character, Ōta. [12]