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When used in an orchestral or jug band setting, castanets are sometimes attached to a handle, or mounted to a base to form a pair of machine castanets. This makes them easier to play, but also alters the sound, particularly for the machine castanets. It is possible to produce a roll on a pair of castanets in any of the three ways in which they ...
Castanets: Unpitched 111.141 Idiophone Caxirola: Brazil Unpitched Idiophone Caxixi: West Africa Unpitched 112.13 African basket rattle Celesta: France Pitched 111.222 Idiophone As a keyboard instrument, not part of the percussion section of the orchestra [4] Chácaras: Canary Islands Unpitched 111.141 Idiophone Chenda: India Unpitched 211.212 ...
The setting is the mansion of Lucía and Edmundo de Nobile, on the Calle de la Providencia in an unnamed city, in the 1960s. Act 1. The Nobiles are expecting guests for a dinner at their mansion in honour of the opera singer Leticia Meynar.
Krakeb are similar to large iron castanets in that they are handheld cymbal-type instruments which are handmade from iron or steel. [4] They are idiophones, meaning that their sound comes from the vibration of the instrument's body. The body is four cymbals (two on each side) attached by a string.
Other versions were blocks of wood held in the palms. The palm-held blocks could make clicking and rattle noises like castanets. Other similar instruments worldwide include the Thai/Cambodian krap sepha, Indian/Nepali khartal, Uzbek/Tajik qairaq, or North African krakebs. 795 A.D., France or Germany.
The demanding [2] trumpet concerto is an "epic" large-scale one-movement work. [11] [3] [12]The solitary solo trumpet [13] starts playing offstage right side in lowest registers, the hall at the beginning in darkness. [3]
Illustration taken from the drawing of an ancient marble in Spon's Miscellanea, [1] representing one of the crotalistriae performing.. In classical antiquity, a crotalum (κρόταλον krotalon) [2] was a kind of clapper or castanet used in religious dances by groups in ancient Greece and elsewhere, including the Korybantes.
The Ruins of Athens (Die Ruinen von Athen), Op. 113, is a set of incidental music pieces written in 1811 by Ludwig van Beethoven.The music was written to accompany the play of the same name by August von Kotzebue, for the dedication of the new Deutsches Theater Pest [] in Pest, Hungary.