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The awit (Tagalog for "song" [1]) is a type of Filipino poem, consisting of 12-syllable quatrains. It follows the pattern of rhyming stanzas [which?] established in the Philippine epic Pasyon. It is similar in form to the corrido. [2] One influential work in the awit form is Florante at Laura, an 1838 narrative poem by Francisco Balagtas. [3]
Ibong Adarna, also known as The Adarna Bird, [1] is an early 19th century Filipino epic poem that centers around a magical bird of the same name. During the Spanish era, the longer form of the story's title was Korrido at Buhay na Pinagdaanan ng Tatlong Prinsipeng Magkakapatid na anak ni Haring Fernando at ni Reyna Valeriana sa Kahariang Berbanya ' ("Corrido and Life Lived by the Three Princes ...
Corrido broadside celebrating the entry of Francisco I. Madero into Mexico City in 1911. The corrido (Spanish pronunciation: ) is a famous narrative metrical tale and poetry that forms a ballad. The songs often feature topics such as oppression, history, daily life for criminals, the vaquero lifestyle, and other socially relevant themes. [1]
Corridos Tumbados, an extension of Narcocorridos, takes on the genre's principles with an influence of rap and trap, touching on topics like drug violence, social issues, and sexualization.
“Jersey corridos, make sure you put that in there, “ J.O.P. says, giving a name to the fusion of Jersey club, drill, house music and corridos found in the album.
Based on the 19th century corrido commonly titled Ibong Adarna (lit. ' Adarna Bird ' ), it is the first full-length theatrical animated film produced in the Philippines. The film was released on December 25, 1997, as part of the Metro Manila Film Festival , where it won a special achievement award for its pioneering achievement in Philippine ...
Florante at Laura [a] is an 1838 awit written by Tagalog poet Francisco Balagtas. The story was dedicated to his former sweetheart María Asunción Rivera, whom he nicknamed "M.A.R." and Selya in Kay Selya ("For Celia"). [2] [3] [4] The story is loosely based on Balagtas' own biography.
These traditions include poetry such as tanaga, ladino, corridos, and awit; religious dramas such as moriones, santacruzan, panunuluyan and senakulo; and secular dramas like comedia, duplo, and karagatan. [8]