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Download QR code; Print/export Download as PDF; Printable version; In other projects Wikimedia Commons; ... Antigone (Euripides play) Archelaus (play) B. The Bacchae;
These include the comedies of Aristophanes and Menander, the tragedies of Aeschylus, Sophocles and Euripides, and the Roman adaptations of Plautus, Terence and Seneca. In total, there are eighty-three mostly extant plays, forty-six from ancient Greece and thirty-seven from ancient Rome. Furthermore, there are six lost plays with extensive ...
Plays based on Medea (Euripides play) (8 P) Pages in category "Plays based on works by Euripides" The following 15 pages are in this category, out of 15 total.
Clinging to the altar of the sea-goddess Thetis for sanctuary, Andromache delivers the play's prologue, in which she mourns her misfortune (the destruction of Troy, the deaths of her husband Hector and their child Astyanax, and her enslavement to Neoptolemos) and her persecution at the hands of Neoptolemos' new wife Hermione and her father Menelaus, King of Sparta.
Helen (Ancient Greek: Ἑλένη, Helénē) is a drama by Euripides about Helen, first produced in 412 BC for the Dionysia in a trilogy that also contained Euripides' lost Andromeda. The play has much in common with Iphigenia in Tauris , which is believed to have been performed around the same time period.
Hypsipyle (Ancient Greek: Ὑψιπύλη) is a partially preserved tragedy by Euripides, about the legend of queen Hypsipyle of Lemnos, daughter of King Thoas. [1] It was one of his last and most elaborate plays. [2] It was performed c. 411–407, along with The Phoenician Women which survives in full, and the lost Antiope. [3]
Hecuba (Ancient Greek: Ἑκάβη, Hekabē) is a tragedy by Euripides, written c. 424 BC. It takes place after the Trojan War but before the Greeks have departed Troy (roughly the same time as The Trojan Women, another play by Euripides).
Euripides' retelling of this myth is a radical step forward among the Greek tragedies: while in other plays of classical Athens individuals often rail against the disasters that the Fates or the gods have caused to befall them, in this powerful play both Creusa and Ion actually challenge whether the gods have any right to govern the destinies ...