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Suddenly the clarinet enters in E-flat major with a virtuosic scale followed by numerous runs. In this E-flat major section there is some very large leaps, one being 3 octaves and a tone at bar 56. The work shifts back to G minor with a recitative, once again in the operatic style. This is taken very freely with the clarinet and orchestra ...
Clarinet Concerto No. 2 (Weber) Concertino for Clarinet (Weber) Z. Clarinet Concerto (Zwilich) This page was last edited on 4 July 2024, at 13:24 (UTC). Text is ...
Clarinet Concerto No. 2 may refer to: Clarinet Concerto No. 2 (Arnold) Clarinet Concerto No. 2 (Weber) See also. Clarinet Concerto (disambiguation)
The modern clarinet did not exist before about 1700. There are, however, a number of concertos written for its antecedent, the chalumeau.. The discovery of six clarinet concertos by Johann Melchior Molter (1696–1765) — the first of which may date from 1743 [5] — and three concerti grossi for clarinet and oboe written by Antonio Vivaldi (1678–1741) as far back as 1711 [6] have led music ...
The Clarinet Concerto was one of the three items chosen for the gala concert in Copenhagen celebrating the 150th anniversary of Carl Nielsen's birth. Accompanied by Danmark Radio's Symphony Orchestra conducted by Juanjo Mena , the soloist was the Finnish clarinetist Olli Leppäniemi (born 1980).
Clarinet Concerto No. 2 was the second clarinet concerto written by English composer Malcolm Arnold, his Opus 115. It was commissioned in 1974 by clarinetist Benny Goodman , who had given the American premiere of Arnold's Clarinet Concerto No. 1 in 1967.
Clarinet Concerto.... EMI CDC 7 49095 2, 1989, (p) 1989; Robert Spring. American Jazz Concertos. Summit Records DCD-1019, 2003, (p) 2003; Richard Stoltzman. Copland-Corigliano, Clarinet Concertos. RCA Victor Red Seal RD 87762, 1988, (p) 1988; Richard Stoltzman. Copland Clarinet Concerto. RCA Victor Red Seal 09026 61790 2, 1993, (p) 1993 ...
As in many of Carter's later works, the full 18-man chamber orchestra rarely plays tutti; instead the clarinet soloist takes part in a sequence of dialogues with subsections of the orchestra (piano, harp and pitched percussion in the first movement; unpitched percussion in the second (vibraphone, marimba); muted brass in the third; woodwinds in ...
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