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"Freddie Freeloader" is a composition by Miles Davis and is the second track on his 1959 album Kind of Blue. The piece takes the form of a twelve-bar blues in B ♭ , but the chord over the final two bars of each chorus is an A ♭ 7, not the traditional B ♭ 7 followed by either F7 for a turnaround or some variation of B ♭ 7 for an ending.
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A solo steel drum player performs with the accompaniment of pre-recorded backing tracks that are being played back by the laptop on the left of the photo.. A backing track is an audio recording on audiotape, CD or a digital recording medium or a MIDI recording of synthesized instruments, sometimes of purely rhythmic accompaniment, often of a rhythm section or other accompaniment parts that ...
Band-in-a-Box is a music creation software package for Windows and macOS produced by PG Music Incorporated, founded in 1988 in Victoria, British Columbia. [1] The software enables a user to create any song and have it played by professional musicians playing real instruments.
Among the tracks covered on the album is the Albert King song "The Hunter", which Rodgers had previously recorded with Free on their debut album Tons of Sobs. As well as the standard one-disc edition, a limited edition version was also released featuring a bonus disc of re-recordings of Free and Bad Company hits.
Example from Free Music Archive, Steve Combs & Delta Is - "Theme Q", bass, drum, guitar, keyboard, 4 min 53 s. In commercial popular music, instrumental tracks are sometimes renderings, remixes of a corresponding release that features vocals, but they may also be compositions originally conceived without vocals. One example of a genre in which ...
In the United Kingdom, Play the Blues: Live from Jazz at Lincoln Center reached position 40 on the official album charts, which contains the summary of digital downloads and physical album sales. In addition, the release positioned itself on number 91 on the download album chart and peaked at number 34 on the physical album sales chart.
Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.