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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Strauss used many quotes from his own works in his symphonic poem A Hero's Life; Strauss quoted Luigi Denza's song Funiculì, Funiculà in his symphonic poem Aus Italien, believing it was a folk song; Igor Stravinsky quoted a theme from Franz Schubert's Marche Militaire No. 1 in D in his Circus Polka.
Portal:Classical music/Quotes/10 Music is at once the product of feeling and knowledge, for it requires from its disciples, composers and performers alike, not only talent and enthusiasm, but also that knowledge and perception which are the result of protracted study and reflection.
The Theory and Technique of Electronic Music (2007) Max (software), Pure Data: Philip Ewell: born 1966 Music Theory and the White Racial Frame (2020) Race in music, Russian and twentieth century music, as well as rap and hip hop [218] Ellie Hisama: Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (2007)
1. “You are what you do, not what you say you’ll do.” 2. “Who looks outside, dreams; who looks inside, awakes.” 3. “To ask the right question is already half the solution of a problem.”
List of Brontë poems; List of poems by Ivan Bunin; List of poems by Catullus; List of Emily Dickinson poems; List of poems by Robert Frost; List of poems by John Keats; List of poems by Philip Larkin; List of poems by Samuel Taylor Coleridge; List of poems by Walt Whitman; List of poems by William Wordsworth; List of works by Andrew Marvell
An anthem is a musical composition of celebration, usually used as a symbol for a distinct group, particularly the national anthems of countries.Originally, and in music theory and religious contexts, it also refers more particularly to short sacred choral work (still frequently seen in Sacred Harp and other types of shape note singing) and still more particularly to a specific form of ...
In addition to his musical works, Hucbald also wrote literary poetry intended to be read rather than sung. Two poems in classical Latin hexameters survive. One is the remarkable Ecloga de calvis , a poem of 146 lines in praise of baldness, in which every word begins with the letter C (the first letter in the word calvus , "bald"). [ 12 ]