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"Daddy Never Was the Cadillac Kind" is a song written by Dave Gibson and Bernie Nelson, and recorded by American country music band Confederate Railroad. It was released in 1994 as the lead-off single from their album Notorious. It peaked at number 9 the United States, [1] and number 7 in Canada. It is their last top ten in the United States.
Notorious is the second studio album by American country music band Confederate Railroad.It was released in 1994 by Atlantic Records Nashville. It peaked at #6 on the US country albums chart, and #13 on the Canadian country albums chart, and was certified platinum by the RIAA.
The album was led off by the no. 9 "Daddy Never Was the Cadillac Kind," followed by the no. 20 "Elvis and Andy," and finally "Summer in Dixie," which failed to make Top 40. Also in 1994, Shirley and Mark Collie co-wrote and sang guest vocals on Billy Ray Cyrus 's "Redneck Heaven," an album cut from his 1994 disc Storm in the Heartland .
[13] The bluegrass-influenced "Miner’s Prayer" also looks to Kentucky, an acoustic number powered by dobro (courtesy of David Mansfield), flat-picked guitar, and Yoakam's singing of his grandfather and generations like him who lived and died in the mines of Kentucky, which AllMusic critic Thom Jurek describes as "Bill Monroe meets Ralph ...
The song's narrator describes that he "was raised in a sophisticated kind of style", but likes his women "just a tad on the trashy side," and shares various stories and explanations of why he does. One of these is a story about his parents being surprised at the fact that his prom date was a "cocktail waitress in a Dolly Parton wig".
Green sang and played rhythm guitar on the record which included the song Tomorrow on the A-side and Black Cadillac on the B-side. The other musicians on the record included Tommy Holder on guitar, Teddy Redell on piano, Scotty Kuykendall on bass and Harvey Farley on drums. [1] The record was released on Vaden Records in March 1959.
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The I–V–vi–IV progression is a common chord progression popular across several music genres. It uses the I, V, vi, and IV chords of the diatonic scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV: C–G–Am–F; V–vi–IV–I: G–Am–F–C
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