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Resistant reading is an element of some current critical and interpretive repertoire. It is worth considering whether diegetic border crossing always strengthens the potential for resistant reading (as might seem intuitively likely, given that readers are moving in and out of the story), or whether on some occasions it might trigger the reverse effect.
In literature, the interaction between text and reader occurs within a framework that controls and limits the interaction, through genre, tone, structure, and the social conditions of the reader and author, whereas in landscapes the interaction occurs through movement and viewing, framed by typology instead of genre and tone.
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works.
In literary studies, resistance literature is one subfield in which to study literary output that may be understood as a socio-political activity to resist dominant ideologies. [15] Resistance literature can be used to resist gender-based oppression, or to demonstrate difficulties in liberation struggles or writing in exile.
One of the six functions is always the dominant function in a text and usually related to the type of text. In poetry, the dominant function is the poetic function: the focus is on the message itself.
Textuality is not just about the written word; it also comprises the placement of the words and the reader’s interpretation [citation needed].There is not a set formula to describe a text’s textuality; it is not a simple procedure.
Hall demonstrates that if a viewer of a newscast on such topics decoded the message "in terms of the reference code in which it has been encoded" that the viewer would be "operating inside the dominant code" [7] Thus, the dominant code involves taking the connotative meaning of a message in the exact way a sender intended a message to be ...
Portrait of Samuel Richardson by Joseph Highmore. National Portrait Gallery, Westminster, England.. The English novel is an important part of English literature.This article mainly concerns novels, written in English, by novelists who were born or have spent a significant part of their lives in England, Scotland, Wales, or Northern Ireland (or any part of Ireland before 1922).