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11-20-79 is the only studio album by American R&B singer Mona Lisa, released via Island on June 11, 1996 in North America. The album is named after her date of birth. It serves as the artist's only studio album as of 2024. The album peaked at No. 38 on the Billboard Top R&B Albums chart. [1]
Kimberly Leadbetter (born November 20, 1979), known professionally as Mona Lisa, is an American pop and R&B singer-songwriter, actress, model, and record producer. She is best known for her debut single "Can't Be Wasting My Time" featuring the hip hop group Lost Boyz, which was featured on the Don't Be a Menace to South Central While Drinking Your Juice in the Hood soundtrack, as well as her ...
Single by Mona Lisa; from the album 11-20-79 and Don't Be a Menace to ... "Can't Be Wasting My Time" is the debut single by American contemporary R&B singer Mona Lisa.
Some album covers prove controversial due to their titles alone. When the Sex Pistols released Never Mind The Bollocks…in 1977, a record shop owner in Nottingham named Chris Searle was arrested ...
Don't Be a Menace to South Central While Drinking Your Juice in the Hood: The Soundtrack is the soundtrack to Paris Barclay's 1996 film Don't Be a Menace to South Central While Drinking Your Juice in the Hood. It was released on January 9, 1996 via Island Records, and consisted of hip hop and R&B music.
A rockabilly version of "Mona Lisa" (b/w/ "Foolish One") was released by Carl Mann on Phillips International Records (#3539) in March 1959 and reached number 25 on the Billboard Hot 100. Conway Twitty recorded a version of "Mona Lisa" in February 1959, but planned to release it only as an album cut (on an EP and an LP, Conway Twitty Sings by ...
Art historians say Leonardo da Vinci hid an optical illusion in the Mona Lisa's face: she doesn't always appear to be smiling. There's question as to whether it was intentional, but new research ...
Mona Lisas is the seventh studio album by Australian recording artist Judith Durham. The album consists of mainly 1960s and 1970s covers. The album consists of mainly 1960s and 1970s covers. It was released in the United Kingdom in March 1996 and debuted and peaked at 46.