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Java and Bali use xylophones (called gambang, Rindik and Tingklik) in gamelan ensembles. They still have traditional significance in Malaysia, Melanesia, Indonesia, Thailand, Myanmar, and regions of the Americas. In Myanmar, the xylophone is known as Pattala and is typically made of bamboo.
The balafon (pronounced / ˈ b æ l ə f ɒ n /, or, by analogy with xylophone etc., / ˈ b æ l ə f oʊ n /) is a gourd-resonated xylophone, a type of struck idiophone. [1] It is closely associated with the neighbouring Mandé, Bwaba Bobo, Senoufo and Gur peoples of West Africa, [1] [2] particularly the Guinean branch of the Mandinka ethnic group, [3] but is now found across West Africa from ...
The pattala (Burmese: ပတ္တလား patta.la:, Burmese pronunciation:; Mon: ဗာတ် ကလာ) is a Burmese xylophone, consisting of 24 bamboo slats called ywet (ရွက်) or asan (အဆံ) suspended over a boat-shaped resonating chamber. [1] [2] It is played with two padded mallets.
Roneat means xylophone where thung literally mean [wooden] container in Khmer. [1] This may derived from the shape of this type of xylophone which shaped like a rectangular wooden container. Terry E. Miller and Sean Williams in their book The Garland Handbook of Southeast Asian Music , Roneat Thung is better called Roneat thomm/ thum which ...
The word "roneat" is a Khmer word for the bamboo xylophone, which is an ancient musical instrument of Cambodia. According to the Khmer national dictionary, roneat means xylophone and is described as "the percussive musical instrument that has a long body where its bars are made from bamboo or other good quality woods or metal bars striking with a pair of two roneat sticks played in the pinpeat ...
Xylorimba, range C3-C8. The xylorimba (sometimes referred to as xylo-marimba or marimba-xylophone) is a pitched percussion instrument similar to an extended-range xylophone with a range identical to some 5-octave celestas or 5-octave marimbas, though typically an octave higher than the latter.
The following table shows the 24 consonant phonemes found in most dialects of English, plus /x/, whose distribution is more limited. Fortis consonants are always voiceless, aspirated in syllable onset (except in clusters beginning with /s/ or /ʃ/), and sometimes also glottalized to an extent in syllable coda (most likely to occur with /t/, see T-glottalization), while lenis consonants are ...
The word choice in this definition is very intentional- DeVale avoids the use of the term “music” or “musical” but rather "sound" because the function of some instruments, such as the Balinese slit drum, serves to signal an event rather than aid in a musical performance. [16]