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The epic forms trace back to the cantares de gesta (the Spanish equivalent of the French chansons de geste) and the lyric forms to the Provençal pastorela. In the Spanish Golden Age , however, which is when the term came into wide use, romance was not understood to be a metrical form, but a type of narration, that could be written in various ...
A measure of 100 by 100 varas (Spanish) is almost 7000 square meters, and is known traditionally throughout Spain and Latin America as a manzana (i.e., a "city block"). As well, lumber is still measured in Costa Rica using a system based on 4 vara, or 11 feet, for both round and square wood.
In poetry, metre (Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order.
The hendecasyllable (Spanish: endecasílabo) is less pervasive in Spanish poetry than in Italian or Portuguese, but it is commonly used with Italianate verse forms like sonnets and ottava rima (as found, for example, in Alonso de Ercilla's epic La Araucana).
Tiento – Form of keyboard music similar to the fantasia, known for its intricate counterpoint. Toccata – Piece typically for a keyboard or plucked string instrument, characterized by fast-moving or virtuosic passages. Villancico – Spanish song or lyrical poetry, often associated with rustic and popular themes.
A number of units were used. One vara (lit. "pole", "yard") was equal to 0.838 m (32.99 inches) as it was legally defined also use inches and feet. [1] Some other units and legal equivalents are given below:
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In antiquity, systems of measurement were defined locally: the different units might be defined independently according to the length of a king's thumb or the size of his foot, the length of stride, the length of arm, or maybe the weight of water in a keg of specific size, perhaps itself defined in hands and knuckles.