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Modernisme (Catalan for "art nouveau") is the name given to the Art Nouveau movement in the Catalonia region of northern Spain. It is the equivalent to a number of fin-de-siècle art movements, such as Art Nouveau , Jugendstil , Secessionism , and Liberty style , and was active from roughly 1888 to 1911.
During that time, he also practised as an apprentice goldsmith to leading Parisian Art Nouveau jeweller and goldsmith Louis Aucoc. At the Sydenham Art College, his skills for graphic design were improved, and his naturalistic approach to art was further developed. [1] In 1876, at 16, René Lalique was apprenticed to the jeweler Louis Aucoc. [8]
Art Nouveau artists such as René Lalique, [11] Lucien Gaillard [12] and other French and German artists predominantly used plique-à-jour in small jewellery, though the Victoria & Albert Museum has a tray of 1901 by Eugène Feuillâtre (1870–1916). [13]
Théophile Steinlen, sculpting a cat in 1913. Théophile Alexandre Steinlen (November 10, 1859 – December 13, 1923), was a Swiss -born French Art Nouveau painter and printmaker. He was politically engaged and collaborated with anarchist and socialist press.
Georges Fouquet (1862–1957) was a French jewelry designer best known for his Art Nouveau creations. [1] He was part of a successful jewellery family [ 2 ] his father Alphonse Fouquet before him design in a neoclassicist style and his son Jean Fouquet design in the Art Deco style.
Art Nouveau jewellery encompassed many distinct features including a focus on the female form and an emphasis on colour, most commonly rendered through the use of enamelling techniques including basse-taille, champleve, cloisonné, and plique-à-jour. Motifs included orchids, irises, pansies, vines, swans, peacocks, snakes, dragonflies ...
Art Nouveau is the most popularly recognised art movement to emerge from the period. This largely decorative style ( Jugendstil in central Europe), characterised by its curvilinear forms, and nature-inspired motifs became prominent from the mid-1890s and dominated progressive design throughout much of Europe.
This was followed by Gothic art inspired papers in earth tones with stylized leaf and floral patterns. William Morris was one of the most influential designers of wallpaper and fabrics during the latter half of the Victorian period. Morris was inspired and used Medieval and Gothic tapestries in his work. Embossed paper were used on ceilings and ...
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