Search results
Results from the WOW.Com Content Network
The Prioress's Tale, a painting by Edward Coley Burne-Jones "The Prioress's Tale" is one of The Canterbury Tales by Geoffrey Chaucer. It follows "The Shipman's Tale" in The Canterbury Tales. It is followed by Chaucer's "Tale of Sir Topas".
The Pilgrims in The Canterbury Tales by Geoffrey Chaucer are the main characters in the framing narrative of the book. [1]In addition, they can be considered as characters of the framing narrative the Host, who travels with the pilgrims, the Canon, and the fictive Geoffrey Chaucer, the teller of the tale of Sir Thopas (who might be considered distinct from the Chaucerian narrator, who is in ...
The Canterbury Tales (Middle English: Tales of Caunterbury) [2] is a collection of twenty-four stories that runs to over 17,000 lines written in Middle English by Geoffrey Chaucer between 1387 and 1400. [3] It is widely regarded as Chaucer's magnum opus.
The Canterbury Tales is a collection of stories, mostly in verse, written by Geoffrey Chaucer chiefly from 1387 to 1400. They are held together in a frame story of a pilgrimage on which each member of the group is to tell two tales on the way to Canterbury, and two on the way back.
The frame story of the poem, as set out in the 858 lines of Middle English which make up the General Prologue, is of a religious pilgrimage. The narrator, Geoffrey Chaucer, is in The Tabard Inn in Southwark, where he meets a group of 'sundry folk' who are all on the way to Canterbury, the site of the shrine of Saint Thomas Becket, a martyr reputed to have the power of healing the sinful.
The Second Nun's Tales may have been written for another occasion and only later inserted into The Canterbury Tales. In line VIII.62 of the Second Nun's Prologue, the Second Nun refers to herself as an "unworthy sone of Eve", indicating that the tale previously had a male narrator.
Titles of the Frevisse novels follow the format of Chaucer's Canterbury Tales, e.g., The Novice's Tale, The Prioress's Tale. There is no relation between Frazer's title characters and Chaucer's, even when they have the same role in life (e.g. Chaucer's Prioress is a dainty, sentimental woman while Frazer's is an ambitious, domineering one).
Chaucer first used the rhyme royal stanza in his long poems Troilus and Criseyde and the Parlement of Foules, written in the later fourteenth century.He also used it for four of the Canterbury Tales: the Man of Law's Tale, the Prioress' Tale, the Clerk's Tale, and the Second Nun's Tale, and in a number of shorter lyrics.