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J. R. R. Tolkien's dark lord Melkor has been compared to Lucifer, as he is a powerful spirit-being who rebels against his creator. [1] Illustration of Lucifer devouring human souls for Dante Alighieri's Inferno, canto 33. Pietro di Piasi, Venice, 1491. Evil is ever-present in J. R. R. Tolkien's fictional realm of Middle-earth.
The name Mirkwood derives from the forest Myrkviðr of Norse mythology. 19th-century writers interested in philology, including the folklorist Jacob Grimm and the artist and fantasy writer William Morris, speculated romantically about the wild, primitive Northern forest, the Myrkviðr inn ókunni ("the pathless Mirkwood") and the secret roads across it, in the hope of reconstructing supposed ...
Dark lord figures are characterized by aspirations to power and identification with some fundamental force of evil or chaos, such as a devil or antichrist figure. [1] The Encyclopedia of Fantasy notes that common features of a dark lord character include being "already defeated but not destroyed aeons before" and engaging in "wounding of the land" or other rituals of desecration.
The Elf Ecthelion slays the Orc champion Orcobal in Gondolin. 2007 illustration by Tom Loback. J. R. R. Tolkien, a devout Roman Catholic, [T 1] created what he came to feel was a moral dilemma for himself with his supposedly evil Middle-earth peoples like Orcs, when he made them able to speak.
Lords of Darkness is a collection presenting ten short adventure scenarios that take place in the Forgotten Realms, each of them focusing on undead monsters such as skeletons, ghouls, wights, shadows, mummies, vampires, and ghosts; the book also contains suggestions on role-playing undead and a section called "A Mundane Guide to Wards vs. Undead, Spirits, and Other Entities". [1]
The word "monster" has as its origin the Latin monstrum, "a marvel, prodigy, portent", in turn from Latin monstrare, "to show". [1] Monsters in Medieval Europe were often humanoid, but could also resemble wild beasts, but of enormous size; J. R. R. Tolkien followed both paths in creating his own monsters.
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J. R. R. Tolkien included multiple family trees in both The Lord of the Rings and The Silmarillion; they are variously for Elves, Dwarves, Hobbits, and Men. The family trees gave Tolkien, a philologist, a way of exploring and developing the etymologies and relationships of the names of his characters. They imply, too, the fascination of his ...