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Title Album details Peak chart positions GER [2]A Live Record: Released: April 1978; Label: Decca, Gama; Formats: 2xLP, MC; 34 Pressure Points: Live in Concert
Mikael Åkerfeldt of Swedish progressive death metal band Opeth has cited Camel to be an influence for the song "Hessian Peel" [41] and previously joked on the Lamentations (Live at Shepherd's Bush Empire 2003) DVD that material from their Damnation (2003) album was a "rip-off" of Camel.
The album was remastered and reissued in 2002 on London Records with two bonus tracks: the single version of "Never Let Go" and a live version of "Homage to the God of Light", a staple of the band's early shows. A studio version of the latter had appeared on keyboard player Peter Bardens' debut solo album The Answer in 1970.
In 1970, Bardens recorded The Answer, an album featuring Peter Green and Andy Gee. Bardens recorded an eponymous album in 1971 which was released in the United States as Write My Name in the Dust before forming Camel in 1972. [2] He left Camel in 1978 to join Them bandmate Van Morrison's band.
A Live Record is the first live album by the progressive rock band Camel, released in April 1978. [5] It is a double LP, composed of recordings from three different tours. LP one features recordings from the Mirage tour in 1974, and the Rain Dances tour, in 1977. Tracks 1–4 on the LP are from the Rain Dances tour and 5–6 are from the Mirage ...
Moonmadness is the fourth studio album by English progressive rock band Camel.It was released in April 1976 on Decca and Gama Records and is their last album recorded by the group's original line-up of Andrew Latimer, Peter Bardens, Doug Ferguson, and Andy Ward.
Camel were formed in October 1971 by Andrew Latimer, Doug Ferguson, Peter Bardens and Andy Ward. [1] During the tour in promotion of the band's fourth studio album Moonmadness , the group's lineup became a quintet with the addition of former King Crimson saxophonist and flautist Mel Collins . [ 2 ]
The Snow Goose is the third studio album by the band Camel, released in the U.K. on 25 April 1975 [2].The critical success [3] of "The White Rider" suite (based on J. R. R. Tolkien's The Lord of the Rings and appearing on the band's previous 1974 album, Mirage) prompted the group to write more novel-inspired conceptual suites.