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  2. Your Guide to Manifesting Anything, According to Experts - AOL

    www.aol.com/guide-manifesting-anything-according...

    Manifesting is based on a belief, wish, or hope that one would like for their life, typically involving intentions around achievement, freedom, joy, and hope, they add.

  3. The Beginner's Guide - Wikipedia

    en.wikipedia.org/wiki/The_Beginner's_Guide

    The gameplay in The Beginner's Guide is presented in a first-person perspective allowing the player to move about and explore the environment and interact with some elements of it as they progress along the work's interactive storytelling. The player hears details of the various scenes they explore via the game's narrator, Wreden himself, to ...

  4. Ars moriendi - Wikipedia

    en.wikipedia.org/wiki/Ars_moriendi

    The third chapter lists the seven questions to ask a dying man, along with consolation available to him through the redemptive powers of Christ's love. The fourth chapter expresses the need to imitate Christ's life. The fifth chapter addresses the friends and family, outlining the general rules of behavior at the deathbed.

  5. The Beginner's Goodbye - Wikipedia

    en.wikipedia.org/wiki/The_Beginner's_Goodbye

    This article about a 2010s novel is a stub. You can help Wikipedia by expanding it. See guidelines for writing about novels. Further suggestions might be found on the article's talk page.

  6. The Tibetan Book of Living and Dying - Wikipedia

    en.wikipedia.org/wiki/The_Tibetan_Book_of_Living...

    According to Daniel Goleman, Rinpoche was already planning to write a book on living and dying in the late 1970s. [2] In 1983, he met Elizabeth Kübler-Ross, Kenneth Ring and other figures in the caring professions and near-death research, and they encouraged him to develop his work in opening up the Tibetan teachings on death and helping the dying.

  7. The Seven Basic Plots - Wikipedia

    en.wikipedia.org/wiki/The_Seven_Basic_Plots

    The key thesis of the book: "However many characters may appear in a story, its real concern is with just one: its hero. It is the one whose fate we identify with, as we see them gradually developing towards that state of self-realization which marks the end of the story.

  8. The Sense of an Ending: Studies in the Theory of Fiction

    en.wikipedia.org/wiki/The_Sense_of_an_Ending:...

    Kermode writes: 'It seems to be a condition attaching to the exercise of thinking about the future that one should assume one's own time to stand in extraordinary relation to it.' 'Men in the middest' are also prone to make predictions about the date on which the world will end. Indeed, some people do approach apocalyptic fictions with a 'naive ...

  9. Origin of death - Wikipedia

    en.wikipedia.org/wiki/Origin_of_Death

    The origin of death is a theme in the myths of many cultures. Death is a universal feature of human life, so stories about its origin appear to be universal in human cultures. [1] As such it is a type of origin myth, a myth that describes the origin of some feature of the natural or social world. No one type of these myths is universal, but ...