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Timaeus suggests that since nothing "becomes or changes" without cause, then the cause of the universe must be a demiurge or a god, a figure Timaeus refers to as the father and maker of the universe. And since the universe is fair, the demiurge must have looked to the eternal model to make it, and not to the perishable one (29a).
Critias is the second of a projected trilogy of dialogues, preceded by Timaeus and followed by Hermocrates. [1] The latter was possibly never written and the ending to Critias has been lost. [2] Because of their resemblance (e.g., in terms of persons appearing), modern classicists occasionally combine both Timaeus and Critias as Timaeus-Critias ...
Calcidius' translation of Plato's original Greek dialogue covers the sections 17a – 53c, i.e. from the Introduction where Critias discusses the story of Solon's journey to Egypt where he hears the tale of Atlantis, up to the discussion of the 'Receptacle' and the Divine Creator's use of four of the five regular solids (fire, earth, air and water) in the shaping of the Universe.
Timaeus of Locri (pronunciation in modern English / t aɪ ˈ m iː ə s /; Ancient Greek: Τίμαιος ὁ Λοκρός, romanized: Tímaios ho Lokrós; Latin: Timaeus Locrus) is a character in two of Plato's dialogues, Timaeus and Critias. In both, he appears as a philosopher of the Pythagorean school.
The sequence of names of the three participants in these dialogues could also have a significance. The name of Timaeus is derived from the Greek word τιμάω, timaō meaning to pay honor to; the name of Critias is derived from the word κρίσις, krisis meaning judgment; and the name of Hermocrates, means gifted by Hermes, messenger of ...
Sonchis of Saïs or the Saïte (Ancient Greek: Σῶγχις ὁ Σαΐτης, Sō̂nkhis o Saḯtēs; fl. 594 BC) was an Egyptian priest, who is mentioned in Greek writings for relating the account of Atlantis.
Critias mentions a tale he considered to be historical, that would make the perfect example, and he then follows by describing Atlantis as is recorded in the Critias. In his account, ancient Athens seems to represent the "perfect society" and Atlantis its opponent, representing the very antithesis of the "perfect" traits described in the Republic
Hermocrates is one of the persons appearing in Plato's dialogues Timaeus and Critias. Plato originally might have planned a third dialogue named Hermocrates, but failed to compose it. F. M. Cornford writes: Since the dialogue that was to bear his name was never written, we can only guess why Plato chose him.
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