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The discography of American rock band Hoobastank consists of six studio albums, a live album, three compilation albums, three video albums, one extended play and 20 singles. An unofficial live album, the bootleg Live at Circo Voador , is in circulation among fans.
Hoobastank (sometimes stylized as h∞bastank, and originally known as Hoobustank) is an American rock band formed in 1994 in Agoura Hills, California, by lead vocalist Doug Robb, guitarist Dan Estrin, drummer Chris Hesse, and original bassist Markku Lappalainen.
Every Man for Himself is the third studio album by American rock band Hoobastank, released on May 8, 2006, by Island Records.It was the first album not to feature bassist Markku Lappalainen after his departure in 2005; Jane's Addiction bassist Chris Chaney and Paul Bushnell took his place for the album.
Hoobastank is the debut studio album by American rock band Hoobastank, released on November 20, 2001, by Island Records. Three singles were released from the album: " Crawling in the Dark ", " Running Away ", and " Remember Me ".
The Reason is the second studio album by American rock band Hoobastank, released on December 9, 2003 by Island Records.Produced by Howard Benson, it was the band's last album to feature bassist Markku Lappaleinen prior to his departure in 2005.
Push Pull is the sixth studio album by American rock band Hoobastank, released on May 25, 2018, by Napalm Records. [2] [5] [6] The album features a more pop rock sound with funk rock influences, different from the characteristic post-grunge and alternative style of the band. The album peaked at number 35 on Billboard ' s Independent Albums chart.
Following Rihanna’s explosive Super Bowl LVII halftime show, Hoobastank’s Doug Robb admitted the band once rejected a feature from Rihanna. “Back when we were recording our third album, we ...
"The Reason" is a song by American rock band Hoobastank. Released on January 26, 2004, as the second single from their second studio album of the same name, the power ballad [3] [4] is Hoobastank's most commercially successful single, peaking at number two on the US Billboard Hot 100 and number one on the US Modern Rock Tracks chart.