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Photo of William Wycherley released by police during their investigation. At some point over the Early May bank holiday weekend in 1998, William and Patricia Wycherley were shot and killed in their home in a suburb of Mansfield, England, by their daughter Susan and her husband, Christopher Edwards.
Playwright Bayard Veiller reportedly said he wrote The Thirteenth Chair in order to give "a great human interest role" to his wife, Margaret Wycherly. [1] An article in The New York Times reported that the play "is based on a story of the same title", without specifying author, length, or date. [ 2 ]
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It stars Conrad Nagel, Leila Hyams and Margaret Wycherly. The film was one of many released in both sound and silent versions. The initial television airing of the sound version, minus commercials, was by TCM on August 22, 2019. The sound version aired previously, with commercials, in the early 1990s on TNT.
Wycherley's play, Love in a Wood, was produced in early 1671 at the Theatre Royal, Drury Lane.It was published the following year. Wycherley claimed to have written the play at the age of nineteen (in 1660 or 1661) before going to Oxford, but Thomas Macaulay points to the allusions in the play to gentlemen's periwigs, to guineas, to the vests that King Charles II ordered to be worn at court ...
He was married to English actress Margaret Wycherly from 1901 to 1922; their son, Anthony Veiller, was also a screenwriter. Veiller first broke into Broadway theatre with The Primrose Path, a play that he wrote and produced. It was a failure and left him broke, [2] although it later served as the basis for the 1920 film, Burnt Wings. [3]
Retrieved from "https://en.wikipedia.org/w/index.php?title=William_Wycherly&oldid=16512597"This page was last edited on 1 June 2004, at 15:37 (UTC). (UTC).
The Country Wife is a Restoration comedy written by William Wycherley and first performed in 1675. A product of the tolerant early Restoration period, the play reflects an aristocratic and anti-Puritan ideology, and was controversial for its sexual explicitness even in its own time.
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