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The Italian term maccherone, when figuratively meaning "blockhead, fool", was apparently not related to this British usage, though both were derived from the name of the pasta shape. [ 5 ] Author Horace Walpole wrote to a friend in 1764 of "the Macaroni Club [ Almack's ], which is composed of all the travelled young men who wear long curls and ...
Like the British cut, the Italian cut is defined by its inner construction. Since Italy lies in southern Europe and has a warm climate, the Italian tailors developed a cut that was light and cooler to coincide with the conditions. What they developed is called the Italian/European cut. This cut is more light, with fabrics ranging from 7-9 oz.
In England from the 1630s, under the influence of literature and especially court masques, Anthony van Dyck and his followers created a fashion for having one's portrait painted in exotic, historical or pastoral dress, or in simplified contemporary fashion with various scarves, cloaks, mantles, and jewels added to evoke a classic or romantic mood, and also to prevent the portrait appearing ...
The unidentified tailor in Giovanni Battista Moroni's famous portrait of c. 1570 is in doublet and lined and stuffed ("bombasted") hose.. A doublet (/ ˈ d ʌ b l ɪ t /; [1] derived from the Ital. giubbetta [2]) is a man's snug-fitting jacket that is shaped and fitted to a man's body.
In 1666, Charles II of England, Scotland and Ireland, following the earlier example of Louis XIV of France, decreed that at court, men were to wear a long coat, a vest or waistcoat (originally called a petticoat, a term which later became applied solely to women's dress), a cravat, a periwig or wig, and breeches gathered at the knee, as well as ...
Sprezzatura ([sprettsaˈtuːra]) is an Italian word that refers to a kind of effortless grace, the art of making something difficult look easy, or maintaining a nonchalant demeanor while performing complex tasks. The term is used in the context of fashion, where classical outfits are purposefully worn in a way that seem a bit off, as if the ...
Young Italian men wear brimless caps, The Betrothal, c. 1470 [1] As Europe continued to grow more prosperous, the urban middle classes, skilled workers, began to wear more complex clothes that followed, at a distance, the fashions set by the elites. It is in this time period that fashion took on a temporal aspect.
Mick Jagger of the Rolling Stones wore a white dress over white trousers for their 1969 Stones in the Park concert, while David Bowie appeared in a patterned silk dress on the cover of his 1971 album The Man Who Sold the World. Both men, particularly Bowie, experimented with androgynous fashion styles throughout the 1970s. [22] [23] [24]