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A suspended chord (or sus chord) is a musical chord in which the (major or minor) third is omitted and replaced with a perfect fourth or a major second. [1] The lack of a minor or a major third in the chord creates an open sound, while the dissonance between the fourth and fifth or second and root creates tension.
"Let It Go" is a song by American R&B singer Keyshia Cole featuring American rappers Missy Elliott and Lil' Kim. It was written by Cole, Jack Knight, Cainon Lamb, Lil' Kim, and Missy Elliott for her second album Just Like You (2007) and samples "Juicy Fruit" by Mtume, and "Don't Stop the Music" by Yarbrough and Peoples, while also interpolating "Juicy" by The Notorious B.I.G., who also sampled ...
"Let It Go" is a song from Disney's 2013 computer-animated feature film Frozen, whose music and lyrics were composed by husband-and-wife songwriting team Robert Lopez and Kristen Anderson-Lopez. The song was performed in its original show-tune version in the film by American actress and singer Idina Menzel in her vocal role as Queen Elsa .
The suspended fourth chord is often played inadvertently, or as an adornment, by barring an additional string from a power chord shape (e.g., E5 chord, playing the second fret of the G string with the same finger barring strings A and D); making it an easy and common extension in the context of power chords.
Power chords are also referred to as fifth chords, indeterminate chords, or neutral chords [citation needed] (not to be confused with the quarter tone neutral chord, a stacking of two neutral thirds, e.g. C–E –G) since they are inherently neither major nor minor; generally, a power chord refers to a specific doubled-root, three-note voicing ...
Like the supertonic minor triad found in a major key, the supertonic diminished triad has a predominant function, almost always resolving to a dominant functioning chord. [7] If the music is in a minor key, diminished triads can also be found on the raised seventh note, ♯ vii o.
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C ♯ –E–G–B ♭ (dim. 7th), C ♯ –E ♭ –G–B ♭ ≡ E ♭ –G–B ♭ –D ♭ (lowering the major third a half tone and respelling as a modulating dom. 7th), A ♭ –C–E ♭ (quasi-tonic) leads to A ♭ major—a minor third and relative modulation (or tritone modulation if starting in D Major).
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