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E major is a major scale based on E, consisting of the pitches E, F ♯, G ♯, A, B, C ♯, and D ♯. Its key signature has four sharps. Its relative minor is C-sharp minor and its parallel minor is E minor. Its enharmonic equivalent, F-flat major, has six flats and the double-flat B, which makes that key less convenient to use. The E major ...
E-flat major is a major scale based on E ♭, consisting of the pitches E ♭, F, G, A ♭, B ♭, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E ♭ minor, (or enharmonically D ♯ minor). The E-flat major scale is:
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
E is the third note and the fifth semitone of the C major scale, and mi in fixed-do solfège. It has enharmonic equivalents of F♭ [(F-flat) which is by definition a diatonic semitone above E ♭ ] and D (D-double sharp), amongst others.
The pattern of whole and half steps characteristic of a major scale. The intervals from the tonic (keynote) in an upward direction to the second, to the third, to the sixth, and to the seventh scale degrees of a major scale are called major. [1] A major scale is a diatonic scale. The sequence of intervals between the notes of a major scale is:
This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A 4), tuned to 440 Hz (referred to as A440).
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
A descending E ♭ major scale is played before the orchestra plays the theme of the Adagio in thematic transformation. The piano follows this with a blistering solo octaves passage before joining in duet with various solo woodwind instruments in a dainty, lively section.
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