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The Via Labicana statue of Augustus. The Via Labicana statue of Augustus, closeup. The Via Labicana Augustus is a sculpture of the Roman emperor Augustus as Pontifex Maximus, with his head veiled for a sacrifice. [1] [2] [3] The statue is dated as having been made after 12 BCE. It was found on slopes of the Oppian Hill, in the Via Labicana, in 1910
Conversely, the statues of Augustus of Prima Porta and of Via Labicana Augustus have a composure reminiscent of Polykleitos and the other classical Greek sculptors. These show an expression of proud reserve, a disposition Augustus demonstrated in his Res Gestae Divi Augusti. The official iconography of Augustus was widespread.
A key piece of evidence was a short article in the Santa Fe New Mexican in 1895 describing his death by murder, which noted: [14] He was a Frenchman, and was favorably known in Santa Fe as an expert worker in wood. He build [sic] the handsome stair-case in the Loretto chapel and at St. Vincent sanitarium.
A statue of Augustus as pontifex maximus found at a villa of Livia on this road is known as the "Via Labicana type" and is housed at the National Roman Museum. The Roman Emperor Didius Julianus was buried by the fifth milestone on the Via Labicana, after being executed in 193.
Jaime Gonzales of Rio Rancho, N.M., carries a large cross along Santa Fe County Road 98 on his way to Santuario de Chimayo on April 7, 2023. (Eddie Moore / Albuquerque Journal via Associated Press)
In 1256, Pope Alexander IV had the martyrs' relics translated to the recently rebuilt Santi Marcellino e Pietro al Laterano at the intersection of Via Labicana with Via Merulana. Partly reusing its ruins, between 1632 and 1638, under Pope Urban VIII , a small Baroque church was erected dedicated to the two saints was built inside the mausoleum ...
While the Via Cassia split off north, the Via Flaminia veared east before turning north again to follow the Tiber, and continued on to Saxa Rubra and Prima Porta. On a hill to the right of the Via Flaminia, a little beyond Prima Porta, are the ruins of Ad Gallinas, [7] a villa that belonged to Livia, the wife of Augustus. [8]
The Palazzo Massimo alle Terme is the main of the four sites of the Roman National Museum, along with the original site of the Baths of Diocletian, which currently houses the epigraphic and protohistoric section, Palazzo Altemps, home to the Renaissance collections of ancient sculpture, and the Crypta Balbi, home to the early medieval collection.