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Nam June Paik's first major retrospective in Korea, Video Time – Video Space, opened at the Gwacheon location of the National Museum of Modern and Contemporary Art, Korea on July 30, 1992. [ 11 ] : 154 Although the exhibition lasted merely 34 days, it saw 117,961 paid visitors; the unofficial visitor count reached nearly 200,000.
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Kim Nam-jung, the son of Kim Jae-chul, serves as the current chairman and CEO of Dongwon Group. Korea Investment Holdings, one of Korea's largest financial companies, was a financial branch of Dongwon Chaebol. The firm is now owned and managed by Kim Nam-goo, another son of Kim Jae-chul and billionaire investor in Korea.
Chun Nan Jun (CNJ) is the common name for the company also called Ziyang Nanjun Automobile Co., Ltd and Sichuan Nanjun Automobile Co., Ltd; [1] it is a Chinese truck manufacturer based in Yanjiang, Ziyang, Sichuan, with over 3,200 employees. Ziyang Nanjun Automobile produces heavy, medium and light duty trucks and mini trucks as well as large ...
Accton Technology Corporation (Chinese: 智邦科技; pinyin: Zhìbāng Kējì) is a Taiwanese company in the electronics industry that primarily engages in the development and manufacture of networking and communication solutions, as an original equipment manufacturer (OEM) or original design manufacturer (ODM) partner. [2]
SM Entertainment announced on the March 14, 2018 that it had acquired actor management company KeyEast and FNC Add Culture, a subsidiary of FNC Entertainment. [8] By May 18, SM secured a 31 percent stake in FNC Add Culture and changed its name to SM Life Design Group at the same time as it completed its acquisition process, with FNC becoming the second-largest shareholder with an 18 percent ...
He has written and co-written several books on Korean American video artist Nam June Paik, some of which include The Worlds of Nam June Paik (2003), Nam June Paik: Global Groove (2004), and Nam June Paik: Global Visionary (2012). He is the editor of Video Culture: A Critical Investigation (1986).
The More, the Better by Nam June Paik pushed the boundaries of traditional art forms and introduced new possibilities for artistic expression. [ 1 ] [ 2 ] Paik's innovative use of television and interactive technology paved the way for future generations of artists working with video and new media.