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"Wait till You See Her" (or, optionally, "Wait till You See Him") is a popular song. The music was written by Richard Rodgers, the lyrics by Lorenz Hart. The song was published in 1942. It was introduced in the musical play By Jupiter (1942), where it was performed by Ronald Graham. [1] Since then, the song has been recorded by many artists. [2]
The AllMusic review by Michael G. Nastos awarded the album 3½ stars, stating, "John Abercrombie's longstanding partnership with Mark Feldman has yielded several albums of exquisite music, and Wait Till You See Her is no different. The mood is naturally restrained, contemplative, and introspective as you would expect, while there's a common ...
All songs written by Rodgers and Hart. "Lover" (from Love Me Tonight; 1932)- 1:53 ... "Wait till You See Her" (from By Jupiter; 1942)- 3:08 "Little Girl Blue" ...
He felt "Song #2" ended prematurely while the long-meter arrangement of "Wait till You See Her" sounded unusual, but found "Once upon a Summertime" to be brilliantly recorded and "Summer Night" highlighted by Davis and Feldman's "consistent level of lyrical beauty". [11]
Johnny Tillotson (born April 20, 1938) is an American singer-songwriter. [1] He enjoyed his greatest success in the early 1960s, when he scored nine top-ten hits on the pop, country, and adult contemporary Billboard charts, including "Poetry in Motion" and the self-penned "It Keeps Right On a-Hurtin'" and "Without You".
Oh! Carol: The Complete Recordings, 1955–66 is an eight CD box set of songs by Neil Sedaka.It was released in 2003 on Bear Family Records.The compilation is an almost exhaustive set of Sedaka's songs for the 1955 to 1966 period, encompassing 112 tunes.
No, it’s not about the video game. “Fortnight,” the first single from Taylor Swift’s “The Tortured Poets Department,” is a duet with Post Malone.. Before we delve into the lyrics, let ...
"Bewitched (Bothered and Bewildered)" [1] is a show tune and popular song from the 1940 Rodgers and Hart musical Pal Joey. It is part of the Great American Songbook.The song was introduced by Vivienne Segal on December 25, 1940, in the Broadway production during Act I, Scene 6, and again in Act II, Scene 4, as a reprise. [1]