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How many reeds an accordion has is specified by the number of treble ranks and bass ranks. For example, a 4/5 accordion has four reeds on the treble side and five on the bass side. A 3/4 accordion has three reeds on the treble sides and four on the bass side. Reed ranks are classified by either organ 'foot-length' stops or instrument names ...
A number of instruments have been invented, designed, and made, that make sound from matter in its liquid state. This class of instruments is called hydraulophones . Hydraulophones use an incompressible fluid, such as water, as the initial sound-producing medium, and they may also use the hydraulic fluid as a user-interface.
Bayan; Classification: Free-reed aerophone: Hornbostel–Sachs classification: 412.132: Playing range; Right-hand manual: The Russian bayan and chromatic button accordions have a much greater right-hand range in scientific pitch notation than accordions with a piano keyboard: five octaves, plus a minor third (written range = E2-G7, actual range = E1-C#8).
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96-button Stradella bass layout on an accordion. C is in the middle of the root note row. The Stradella Bass System (sometimes called [1] standard bass) is a buttonboard layout equipped on the bass side of many accordions, which uses columns of buttons arranged in a circle of fifths; this places the principal major chords of a key (I, IV and V) in three adjacent columns.
The size and weight of an accordion varies depending on its type, layout and playing range, which can be as small as to have only one or two rows of basses and a single octave on the right-hand keyboard, to the most common 120-bass accordion and through to large and heavy 160-bass free-bass converter models.
A melodeon or diatonic button accordion is a member of the free-reed aerophone family of musical instruments. It is a type of button accordion on which the melody -side keyboard contains one or more rows of buttons, with each row producing the notes of a single diatonic scale .
A number of American instrumentalists did succeed in demonstrating the unique orchestral capabilities of the free bass accordion while performing at the nation's premier concert venues. In the process they encouraged contemporary composers to write for the instrument. Included among the leading orchestral artists was John Serry, Sr.