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The Senses is a series of five oil paintings, completed c. 1624 or 1625 by Rembrandt, depicting the five senses. [1] The whereabouts of one, representing the sense of taste, is unknown. Another, representing smell, was only re-identified in 2015.
The Five Senses is a series of five paintings depicting allegories of sight, smell, taste, hearing, and touch, painted by Flemish artist Michaelina Wautier in 1650. Each sense is personified by a young boy. [1] The paintings have been loaned to the Museum of Fine Arts, Boston, by their owners, Rose-Marie and Eijk van Otterloo. [2]
Sensory history is an area of academic study which examines the role the five senses have played in the past. It developed partly as a reaction to the lack of serious attention given to sensory experience in traditional history books, which often treat sensory experience as a writing technique rather than a serious avenue of enquiry. [1]
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The central idea of this model is that experience is represented in the mind in sensorial terms, i.e. in terms of the putative five senses, qualia. [3] According to Bandler and Grinder our chosen words, phrases and sentences are indicative of our referencing of each of the representational systems. [4]
[1] [2] The allegorical representation of the five senses as female figures had begun in the previous century, the earliest known examples being the Lady and the Unicorn series of tapestries, which date to around 1500, [3] but Brueghel was the first to illustrate the theme using assemblages of works of art, musical instruments, scientific ...
The Five Senses, also known as Summer is a signed and dated 1633 oil painting by Sebastian Stoskopff. It was painted at the height of the artist's stay in Paris from 1621 to 1640/1641. Together with its slightly wider pendant The Four Elements , or Winter (114 x 188 cm, or 45 x 74 in), it is today in the Musée de l'Œuvre Notre-Dame .
The Senses of Sight and Smell, 1618; copy c. 1620 The Senses of Hearing, Touch and Taste, 1618; copy c. 1620. The Five Senses are a pair of oil paintings made by Jan Brueghel the Elder and others in 1617-1618, at the same time as he was working with Peter Paul Rubens on a series of five paintings on the same topic.